: Casgliadau ac Ymchwil

Ym Medi 2017 bydd Institiwt y Gweithwyr Oakdale yn dathlu ei gan-mlwyddiant. Wedi ei adeiladu yn ystod y Rhyfel Byd Cyntaf, mi roedd unwaith yn ganolbwynt gymdeithasol bwysig i drigolion pentref Oakdale. Symudwyd yr adeilad i’r Amgueddfa yn 1989 ac i nodi penblwydd yr adeilad eleni, mae’r Amgueddfa wedi lawnsio prosiect #Oakdale100. Bwriad y prosiect yw ail-ddehongli’r adeilad a’i ddod yn fyw unwaith eto gyda lleisiau’r gymuned.

Fel rhan o’r gwaith paratoi, mae staff yr Amgueddfa wedi ail-ymweld ag archifau’r adeilad, gan dynnu ynghyd ffotograffau, cyfweliadau hanes llafar a gwrthrychau perthnasol. Dwi wedi bod yn edrych ar y casgliad ffotograffau yn benodol. Gyda chymorth yr Adran Ffotograffiaeth, rydym wedi digideiddio cannoedd o ddelweddau a oedd gynt ar gael ar ffurf negatifau yn unig. Mae’r ffotograffau hyn yn dangos ystod y digwyddiadau ar gweithgareddau a oedd yn cael eu cynnal yn y Stiwt – o ymweliad y Tywysog Albert yn 1920 i berfformiadau dramatig y 50au. Maen nhw hefyd yn dogfennu pensaerniaeth yr adaeilad a manylion yr ystafelloedd mewnol. Fy hoff lun i yw hwnnw o’r bachgen yn ei arddegau yn pori silffoedd y llyfrgell.

Yn ogystal â digideiddio’r deunydd sydd eisoes yng nghasgliad yr Amgueddfa, rydym hefyd wedi bod yn brysur yn ymgysylltu gyda’r gymuned yn Oakdale heddiw. Llynedd cynhaliwyd gweithdy galw-heibio yn y pentref i annog trigolion yr ardal i rannu storiau ac i sganio eu ffotograffau ar gyfer archif yr Amgueddfa a Casgliad y Werin.

Yn ddiweddar, rydym hefyd wedi agor tudalen Facebook ar gyfer y prosiect ac mae’r ymateb wedi bod yn anghygoel! Mae llu o bobl wedi cyfrannu eu hatgofion, gadael sylwadau a rhannu delweddau ar y dudalen. Yn ddi-os, mae Facebook yn adnodd gwych i ail-gysylltu gyda’r gymuned.

Os oes gennych unrhyw storiau neu ffotograffau sy’n gysylltiedig â Stiwt Oakdale, cysylltwch â ni. Byddem wrth ein boddau i weld unrhyw ffotograffau o bartion neu gigs yn y Stiwt yn ystod y 1960au-80au.

Heddiw – 8 Mawrth – mae amgueddfeydd ac archifdai ledled Cymru yn dathlu Diwrnod Rhyngwladol y Menywod. #BeBoldForChange yw’r thema eleni – neges amserol, gwta chwe wythnos wedi’r orymdaith fawr yn Washington DC a thu hwnt. Yn y blog hwn, mi fydda i’n trafod gwrthrych o’r casgliad sy’n amlygu ysbryd debyg ar waith yn 1911-13 – sef baner a ddefnyddiwyd gan y Cardiff & District Women’s Suffrage Society i fynnu’r bleidlais i fenywod.

Dull di-drais

Er mai hynt a helynt y swffragetiaid oedd yn hawlio sylw’r wasg, roedd mwy o lawer o ‘suffragists’ yn bodoli yng Nghymru. Roedd y ‘suffragists’ yn credu mewn gweithredu heddychlon a newid y drefn drwy ddulliau cyfansoddiadol. Yn eu plith, roedd aelodau’r Cardiff & District Women’s Suffrage Society. Hon oedd y gangen fwyaf o’r National Union of Women's Suffrage Societies tu allan i Lundain. Rose Mabel Lewis (Greenmeadow, Tongwynlais) oedd wrth y llyw yng Nghaerdydd – neu Mrs Henry Lewis fel y cyfeirir ati yn nogfennaeth yr Amgueddfa! Yn gyffredinol, roedd aelodau blaenllaw'r gangen yn fenywod dosbarth canol a oedd yn adnabyddus o fewn mudiadau a chylchoedd cymdeithasol y ddinas. I godi ymwybyddiaeth o’u hachos ac i lenwi coffrau’r gangen, roedden nhw’n cynnal digwyddiadau ac yn gwerthu copïau o gylchgrawn y mudiad, The Common Cause. Mae adroddiad blynyddol y gangen ar gyfer 1911-12 yn rhestru gweithgareddau di-ri, yn eu plith dawns gwisg ffansi, gyrfa chwist a ffair sborion. Yn y flwyddyn honno, dyblodd nifer aelodau’r gangen i 920.

Crefft ymgyrchu

Rose Mabel Lewis bwythodd y faner sidan sydd bellach yng nghasgliad yr Amgueddfa – enghraifft bwerus o rym y nodwydd fel arf i ledaenu neges ac i fynegi barn. Er nad ydym yn gwybod union ddyddiad y faner, rydym yn sicr iddi gael ei defnyddio mewn protest yn 1911. Ar 17 Mehefin y flwyddyn honno, arweiniodd Rose Mabel fenywod de Cymru yn y Women’s Coronation Procession yn Llundain. Mae dogfennau derbynodi’r faner yn cynnwys nodyn o eglurhad gan un o gyn-aelodau’r gangen:

The banner was worked by Mrs Henry Lewis… [she] was also President of the South Wales Federation of Women’s Suffrage Societies + she led the S. Wales section of the great Suffrage Procession in London on June 17^th 1911, walking in front of her own beautiful banner… It was a great occasion, some 40,000 to 50,000 men + women taking part in the walk from Whitehall through Pall Mall, St James’s Street + Piccadilly to the Albert Hall. The dragon attracted much attention – “Here comes the Devil” was the greeting of one group of on lookers”.

Roedd baneri fel hyn yn rhan ganolog o ddiwylliant gweledol y mudiad pleidlais i fenywod, ac mae nifer ohonynt i'w canfod mewn amgueddfeydd ac archifdai, gan gynnwys Casgliadau Arbennig ac Archifau Prifysgol Caerdydd. Roedd trefnwyr gorymdaith fawr 1911 yn disgwyl dros 900 o faneri ar y dydd!

Dwy flynedd yn ddiweddarach, yng Ngorffennaf 1913, gwelwyd y faner ar strydoedd Caerdydd fel rhan o orymdaith yn y brifddinas i nodi’r Bererindod Fawr i Lundain (the Great Suffrage Pilgrimage). Mae casgliad yr Amgueddfa yn cynnwys lluniau anhygoel o Rose Mabel Lewis, ac aelodau eraill y gangen, wedi ymgynnull gyda’r faner tu allan i Neuadd y Ddinas ym Marc Cathays. Yn ôl adroddiad blynyddol 1913-14, roedd rhai o’r aelodau yn betrusgar ynglyn â’r orymdaith, ond wedi eu bywiogi ar ôl derbyn ymateb ffafriol ar y dydd:

It was with misgivings that some members agreed to take part in the procession, but afterwards their enthusiasm aroused and the desire to do something more in the future. The march was useful in drawing the attention of many people to the existance of our society.

Creu Hanes a’r canmlwyddiant

Yn 2018, bydd y faner i’w gweld yng Nghaerdydd unwaith eto – nid mewn rali y tro hwn, ond ymhlith llwyth o wrthrychau arwyddocaol yn ein hanes cenedlaethol fydd i’w canfod mewn oriel newydd yma yn yr Amgueddfa Werin – penllanw ein prosiect ail-ddatblygu, Creu Hanes. Cyd-ddigwyddiad amserol gan fod 2018 yn nodi canmlwyddiant Deddf Cynrychiolaeth y Bobl 1918. Hyd y gwn i, nid yw'r faner wedi bod ar arddangos ers iddi gael ei rhoi i'r casgliad yn 1950 gan y Cardiff Women Citizens' Association. Ar y pryd, ysgrifennodd drysorydd y gymdeithas honno lythyr at Dr Iorwerth Peate yn mynegi eu balchder fod y faner bellach ar gof a chadw yn Sain Ffagan:

A cordial vote of thanks was accorded to you for realising how much the Suffrage Cause meant to women and for granting a memorial of it in the shape of the banner to remain in the Museum.

Elen Phillips @StFagansTextile

Ffynonellau cynradd:

National Union of Women's Suffrage Societies: Cardiff & District Annual Report, 1911-12 (Amgueddfa Werin Cymru).

National Union of Women's Suffrage Societies: Cardiff & District Annual Report, 1913-14 (Amgueddfa Werin Cymru).

Dogfennau derbynodi 50.118 (Amgueddfa Werin Cymru).

Ffynonellau eilradd:

Kay Cook a Neil Evans, 'The Petty Antics of the Bell-Ringing Boisterous Band'? The Women's Suffrage Movement in Wales, 1890 - 1918' yn Angela V. John (gol.), Our Mothers' Land Chapters in Welsh Women's History 1830 - 1939 (Caerdydd: Gwasg Prifysgol Cymru, 1991).

Ryland Wallace, The Women's Suffrage Movement in Wales 1866 - 1928 (Caerdydd: Gwasg Prifysgol Cymru, 2009).

 

 

Amgueddfa Cymru - National Museum Wales and The Saving Treasures; Telling Stories Project have teamed up with the University of South Wales and students on the journalism course.

Working in the Archaeology and Communications departments, using their media and journalistic knowledge, the students will be bringing to life significant archaeological discoveries and telling the stories behind the items and the people who found them. There will be a series of two week work placements from a variety of students.

Here’s what our most recent students had to say about their time working on Saving Treasures; Telling Stories:

Our experience working on Saving Treasures; Telling Stories Project

Coming from a journalism background we were anticipating our placement with the Saving Treasures; Telling Stories project and had a lot of questions of what to expect.

What is Archaeology?

What do Archaeologists do?

And what is the Saving Treasures Project?

On our first day Rhianydd, Mark, Adam and the rest of the team were more than welcoming which is always reassuring when on a work placement. They spent the day showing us some mesmerising objects found during archaeological excavations or by metal detectorists and then teaching us everything we needed to know (which wasn’t easy as there are a lot to remember!) It was fascinating for us to begin to understand objects dating back thousands of years ago and their significance to our lives at present.

Here is where the fun started.

What we did

The rest of our first week we travelled around South Wales to places such as Swansea and Brecon to start recording our interviews about some of the most recently discovered objects.

It was a gloomy and rainy Tuesday but nevertheless we travelled to Brecon to meet with Nigel Blackamore and the team at Brecknock Museum (they even gave us biscuits!) who let us spend the day interviewing in their library.

We interviewed a local metal detectorist as well as a married couple who, over forty years ago, found a dagger in Swansea Bay and have kept it ever since for good luck and as a symbol of their relationship. An earlier blog about the Swansea Bay dagger can be found here.

We also spoke to Nigel about the Portable Antiquities Scheme and the future of museums; as a journalist it’s all about telling stories and getting important information to the public.

Roqib also had the chance of fulfilling a lifetime dream of holding a metal detector. (He was really excited).

Putting our journalism skills to work

On the Wednesday we went to Swansea Museum to meet with Emma Williams and Phil Treseder about Swansea’s involvement with the Saving Treasures Project and what their aims are for the future of Swansea Museum. We also interviewed collector Geoff Archer, who recently found a very rare Bronze Age mould for making axe heads.

To spend the week interviewing people who are so passionate about preserving the archaeology and heritage of South Wales for future generations, in whatever form they can, was an honour and a privilege and certainly put our journalistic interview techniques to the test.

Over the following week we were able to edit the interviews and write our articles with the overlooking expertise of Catrin Taylor and the Communications department; again linking in our journalism skills to help tell the stories of the people and objects.

A thank you from us

We’ve had a wonderful and insightful two weeks and we’ve met some incredible people during this time. The support we’ve received to create the best possible content has been outstanding and we now know what archaeology is, what an archaeologist does and what the Saving Treasures Project is!

We can’t wait to continue to work closely with the Saving Treasures, Telling Stories project and follow its success until 2019. Thank you to everyone who we have met and worked with!

@A_Dickinson_

@MonsurMedia

Working on the collections in the Natural Sciences Department of the National Museum Wales can be both enlightening and complex. Visiting from Bangor University for a week in Cardiff, we were involved with work in the invertebrate biodiversity section, in particular with bivalves and polychaetes. We were very privileged to gain lots of laboratory skills during this process and undertook a huge variety of tasks!

Worm hunting

We were got down to business with sorting a benthic survey sample from 2013 into Polychaeta, Mollusca, Crustacea and Echinodermata by investigating samples under the microscope. To our amazement, we found a big diversity of species just within the samples we looked through, finding everything from bristle worms to isopods! Later in the week we also took on the challenge of trying to identify the polychaete species we found, with some kind help from Teresa. Whilst it was challenging at first, we all became much better by the end and even managed to identify some just by their tails! Teresa also kindly showed us how polychaetes are photographed for publication and identification guides, which was very interesting – it takes a lot of patience and is quite fiddly but the final results are incredible!

Another aspect of the laboratory work included sorting some live polychaete samples brought in by Andy from a recent survey. This included smashing up some of the rocks to get to all the invertebrates hiding inside, a bit like cracking an Easter egg open! One of the most stunning specimens we found was of a Serpulidae worm, which at first was curled up with just the operculum visible, but after waiting patiently it uncurled into a beautiful fan-like structure!

 

Molluscs

Our work with bivalves began by sorting a collection donated by CCW - Countryside Council for Wales (now Natural Resources Wales) - originally collected by Bangor University back in the 50’s, and inputting the collection details onto the museum's digital database. However, obstacles were met along the way: some sections contained more than one label indicating that more than one species were in the same container, as well as the same species all from different places! But Anna kindly trained us up so we were able to organise shells into the correct species groups and off we went!  We sorted some beautiful shells, including razor clams! For some specimens, a light microscope was needed in order to see the most important features for identification. By using the British Bivalves online database, created by museum staff, we were able to ensure that the names of the shells were up to date.

While there we had an explore around the collection and came across some stunning shells, including a huge Triton shell, which is from a species of sea snail that preys on Crown-of-Thorns starfish! The mollusc collection at the museum contains lots of other shell bearing creatures such as limpets and snail-like shells, as well as books on molluscs dating all the way back to the 17th century that contain a wealth of knowledge, and are stored in a glass bookcase to protect them from the environment.

While the hands-on science occupied the majority of our time at the museum, we also got to explore the treasure trove of wonderful collections that is the Natural Sciences Department of the National Museum Wales. We started off with a behind the scenes tour of a variety of collections, from some containing thousands of shells to others with all the bee species in Britain! We can definitely say we never knew there were so many different species! We slowly explored a snippet of the wonders the museum holds, and the knowledge available from the specimens kept there and the staff who care for them (our 11 o’clock coffee breaks were a great time to discuss the ins and outs of curating a collection with museum staff, from seaweed – which you can press just like a flower! - to penguins and of course, worms!).

 

 

3D printing

Our adventures behind the scenes didn’t stop there! While working on the collections we were lucky enough to have a go at 3D printing, which is a mesmerising process to behold. In addition to the printing we witnessed how the fantastic images you see on display in the museum gallery and within books and papers from the staff are created. A fine art of patience and care creates beautiful imagery of amazing detail. Our time at the museum was spent just prior to Christmas allowing us to join the wonderful museum carol service, which was held in the main hall and made up of members of the museum staff, all with amazing voices. As for Cardiff, it was our first time in this vibrant city for all three of us; the foods in Cardiff market are amazing and some of the restaurants are a must go – and of course ice skating in front of the beautiful collection of buildings, one of which is the museum (we didn’t fall over either)! 

 

The week we spent with the museum has given us an insight into how the amazing collections on display are put together, as well as gaining some hands-on science experience, and we will hopefully return again soon!

The first few months of 2017 has already seen Amgueddfa Cymru acquiring some interesting additions to the industry and transport collections. As usual this month I’d like to show you some of the objects that have recently been added to these collections.

This red brick is inscribed Ynysddu Brick Co. It was found fly-tipped at ‘Cyfarthfa Willow Cinder Tip’, Merthyr Tydfil, a tip used by Ynysfach Ironworks from around the 1830s, until 1868 when construction of the Brecon & Merthyr Railway severed access to the tip.

The brick was manufactured at Ynysddu Brick Works, which was closer to Cwmfelinfach than to Ynysddu in the lower Sirhowy Valley, Monmouthshire. The works operated for a limited period in the early twentieth century, it was not shown on the 1899 OS map, and had been demolished by the time the 1948 OS map was surveyed. The works was connected by a three quarters of a mile long tramway to Wentloog / Yr Ochr Wyth Colliery, from where it probably obtained its coal, and clay or shale. Closure of the colliery in 1920 may have caused closure of the brickworks also.

This oil on board painting depicts a miner with a pit pony, and is titled ‘Pit Pals’. It was painted by William Salton in the 1970s. We believe the artist was an ex-miner, but don’t have any further details. If anyone can help with further information, please get in touch.

This photograph album contains 77 black and white photographs showing the construction and refurbishment works at the docks in Swansea, Port Talbot and Briton Ferry. The photographs date between 1927 and 1935.

We were also recently donated another photograph album. This one contains 92 photographs taken between 4th May and 6th June 1957. The photographs show the installation of 33kv package type switchgear at Cardiff Power Station.

As mentioned in previous blog posts, Amgueddfa Cymru holds by far the largest and wide-ranging Welsh-interest share certificate collection held by any public museum. This month we have added three certificates to this collection

The first certificate is a Aberdaunant Lead Mining Co. Ltd. share certificate dated 31 March 1876. The company was registered in 1869 to reopen the ancient lead and zinc mine of the same name near Llanidloes, Montgomeryshire. The mine was worked on a modest scale until 1876 when it was abandoned, producing 150 tons of ore. Little was achieved in the first three or four years of the company’s existence and application was made in November 1872 to reduce its capital from £75,000 to £15,000 in 1872 following financial difficulties. Almost all recorded production occurred in 1873-75. Despite much development work, no further ore was produced and the mine closed in 1879. The shareholders resolved in 1879 to liquate the company but liquidation was not completed until 1898, and the company was struck off in 1902.

The next is a British Motor Corporation Ltd. share certificate dated 8 May 1965. The company was formed in 1952 to merge Austin and Morris motor vehicle production. Morris was the holding company that owned Nuffield which included MG, Riley and Wolseley. In 1965 BMC acquired the Pressed Steel Co. Ltd., a major body panel manufacturer previously part-owned by Morris. In 1966 BMC was renamed British Motor Holdings Ltd. and in 1968 merged with Leyland to form British Leyland. BMC owned a number of Welsh production plants and subsidiary companies, notably Morris Motors at Llanelli, and the Pressed Steel plant, also at Llanelli. Both were, and continue to be major employers.

The last certificate is a Carnarvonshire Great Consols Lead Mining Co. Ltd. share certificate dated 15 September 1884. The company was registered in 1881 to take over the operating of Llanrwst Lead- Zinc Mine. Work tailed off at the mine in 1883-84 and thereafter it was kept on care and maintenance until the extensive plant was auctioned off in 1887. The mine was not subsequently worked but was dewatered in the 20^th century by the underlying Parc Mine and is now well-known for the rare exposure of nineteenth century pumping equipment in the shaft bottoms after over half a century beneath water.

This sculpture is titled The Crown Dragon / Y Ddraig Goron. It was made by the artist David Petersen in September 2011. It was commissioned by Crown Packaging UK Neath Works (former Metal Box Works) and made from can components manufactured at the works. The Metal Box Works at Neath was a major local employer with over 3,000 staff in its 1960s – 1970s peak, and as a manufacturer of tinplate can components was intimately connected with the deeply important Welsh steel and tinplate industries which supplied its raw materials. We are hoping to put The Crown Dragon on display at the National Waterfront Museum in Swansea in time for St. David’s Day.

This Grovesend Steel & Tinplate Co. Ltd. World War 2 employee registration card issued to Stanley Thomas, a second helper in the tinplate works hot mills. At the start of the war, many substantial employers would have had identity and registration documents printed for issue to employees. Survivals are few and scarce. Their low survival rate is probably due to wear and tear of daily use and continually being carried in a pocket or wallet, and also potentially due to their being superseded by National Registration Cards which were issued by the Government to all members of the population on 1-2 October 1939.

 

 

Mark Etheridge
Curator: Industry & Transport
Follow us on Twitter - @IndustryACNMW