Barents Blog 3: The work has begun.

Graham Oliver, 5 Awst 2013

After waiting for 36 hours we finally left port and headed north to the Barents Sea. The sea is incredibly calm [1] and now we are here it is also a strange shade of pale blue, not at all what I expected. All the time we are accompanied by fulmars, sitting in the water on our lee side [2] .

We have started at the northerly end of our transect around 72.5°N. At each station we carry out a video survey of the area using a trifid like camera array called the CAMPOD [3] . It is seen here being brought back into the hangar after its trip just above the sea bed. Inside the control room [4] the operators log all biological and geological features visible on the video displays. Sitting on the right Gjertrude controls the camera while Geno enters data into the log, behind on the computer is Valerie, one of the geologists, who notes the sediment types and out of sight but to the left is the winch-man who makes sure the array does not crash into the sea floor! The sea bed is rather featureless here, an expanse of mud with few animals visible. Too much of this mud was about to appear on deck.

One of the sampling gears is a 3m Beam Trawl, designed to skim over the surface of the sea floor catching the larger "megafauna" including fish. As you can see from the discoloured sea, swollen net and mud on deck it acted more like a dredge than a trawl [5, 6] . The 'mud-larks' (Torjuis, Gjertrude & Anne Helene) get stuck in and are soon satisfied with their work [7] . Cruise leader Lys accounts that none is missing and Geno contemplates having to sort the animals from the mud [8] .

I quite like mud. It usually results in bivalves and I was not disappointed. The large Arctic cockle [9] is the most obvious but most common were, sorry for Latin names, Bathyarca glacialis [10] and Astarte sulcata [11] . Among the other ten, I got two of the species I had come for, over fifty specimens of Mendicula and twenty of Thyasira. You can look at my web site if you want to see more http://naturalhistory.museumwales.ac.uk/britishbivalves/. Perhaps the most appealing are these cushion stars [12] while the sponge is positively weird [13] . The cushion stars are apparently the favoured food of the king crab [14] . The giant was introduced into the region from the north Pacific by Russian fishermen who hoped to make their fortunes but it is turning into an environmental disaster as these voracious predators destroy everything in their advance down the coast of Norway.

Rhyfeddod Euraidd! Trilobit ffosil prin wedi'i gadw'n berffaith.

Lucy McCobb, 2 Awst 2013

Mae sbesimen <em>Triarthrus eatoni</em> bach yn gorwedd ger yr un mwyaf. Roedd trilobitau o wahanol oed yn cael eu ffosileiddio gyda'i gilydd ac mae'n rhaid eu bod yn byw yn yr un lle. Dim ond larfau sydd ar goll.

Mae sbesimen Triarthrus eatoni bach yn gorwedd ger yr un mwyaf. Roedd trilobitau o wahanol oed yn cael eu ffosileiddio gyda'i gilydd ac mae'n rhaid eu bod yn byw yn yr un lle. Dim ond larfau sydd ar goll.

Mae trilobitau'n gyffredin mewn creigiau yng Nghymru, ond mae'r sbesimen prin hwn yn wahanol i eraill yn ein casgliad. Mae'r coesau wedi'u cadw o dan yr argragen a phâr o gyrn main ('teimlyddion') ar y pen. Mae'r nodweddion lliw aur hyn yn gwbl glir yn erbyn cefndir siâl du. Mae ffosilau eithriadol fel hyn yn rhoi blas gwirioneddol i ni ar y ffordd yr oedd trilobitau'n symud, yn bwydo ac yn synhwyro'r byd o'u cwmpas.

Roedd gan bob trilobit goesau a chyrn pan yn fyw, ond roedd y rhain yn gymharol feddal ac yn pydru fel arfer cyn iddynt ffosileiddio. Dim ond rhannau o sgerbwd allanol neu argragen yw'r rhan fwyaf o ffosilau trilobit ac nid ydynt yn dweud llawer wrthym am rannau mwy meddal y corff.

Pam mae'r trilobit yn euraidd?

Mae'r lliw euraidd oherwydd bod yr anifail wedi'i ffosileiddio mewn pyrit, sydd hefyd yn cael ei alw'n byrit haearn, neu Aur Ffyliaid. Peth prin iawn yw gweld rhannau corff meddal wedi'u ffosileiddio, a dim ond mewn un neu ddau o lefydd yn y byd y gwelir hyn. Daw'r ffosil hwn o greigiau o'r cyfnod Ordoficaidd (tua 455 miliwn o flynyddoedd yn ôl) o Dalaith Efrog Newydd yn UDA. Mae ffosilau corff meddal mewn pyrit i'w gweld hefyd yn llechen llawer ifancach Hunsrück yn yr Almaen – o'r cyfnod Defonaidd cynnar (tua 390 miliwn o flynyddoedd yn ôl).

Mwyn sylffad haearn (FeS2) yw pyrit, a gall ffurfio mewn lefelau ocsigen isel lle ceir llawer o haearn. Mae'n debyg bod y trilobitau wedi'u hysgubo gan dirlithrad dan y dŵr a'u claddu mewn mwd yn nyfnderoedd y môr.

Byddai'r mwd wedi bod yn llawn sylffadau a haearn toddedig, ond heb fawr ddim ocsigen. Byddai bacteria lleihau sylffad wedi helpu i bydru'r trilobitau, gan ryddhau sylffidau. Cyfunodd y sylffidau gyda'r haearn toddedig i ffurfio pyrit, a ddisodlodd neu a orchuddiodd feinweoedd y trilobitau wrth iddynt bydru.

Ffosil euraidd yr Amgueddfa o Chwarel Martin, Talaith Efrog Newydd. Mae'r trilobit mwyaf tua 3cm o hyd

Ffosil euraidd yr Amgueddfa o Chwarel Martin, Talaith Efrog Newydd. Mae'r trilobit mwyaf tua 3cm o hyd

Gwely Trilobit Beecher

Rydym yn gwybod am drilobitau pyritig o Wely Trilobit enwog Beecher yn Nhalaith Efrog Newydd ers canrif a mwy. Darganfuwyd y gwely gan y casglwr ffosilau amatur William S. Valiant ym 1892, ond mae wedi'i enwi ar ôl Charles Emerson Beecher, academydd o Brifysgol Yale a welodd ganfyddiadau trilobit anhygoel Valiant. Prydlesodd Beecher y tir rhwng 1893 ac 1895, a chloddiodd am gymaint o ffosilau ag y gallai, tan iddo gredu nad oedd unrhyw beth arall ar ôl i'w ganfod. Ysgrifennodd sawl papur gwyddonol am y trilobitau cyn iddo'n farw'n sydyn ym 1904. Canfuwyd y trilobitau mewn un haen denau (4cm) o graig, a osodwyd yn ei lle tua 455 miliwn o flynyddoedd yn ôl, yn ystod y cyfnod Ordoficaidd.

Adluniad C. E. Beecher o <em>Triarthrus eatoni</em> ym 1893 yn seiliedig ar ffosilau o'i Wely Trilobit

Adluniad C. E. Beecher o Triarthrus eatoni ym 1893 yn seiliedig ar ffosilau o'i Wely Trilobit. Mae dwy gangen i'r coesau, coes gerdded fewnol a thagell allanol gyda ffilamentau mân

Cafodd y Gwely Trilobit ei ailddarganfod ym 1984 ac ers hynny, mae mwy o welyâu yn cynnwys trilobitau euraidd wedi'u canfod yn Nhalaith Efrog Newydd. Yn 2004, dechreuodd casglwr amatur chwilio tua 50 milltir i ffwrdd, cyn dod o hyd i haen o graig o'r un cyfnod yn cynnwys trilobitau. Daw ein sbesimen o'r chwarel newydd hon, a elwir bellach yn Chwarel Martin ar ôl ei darganfyddwr. Mae nifer o ffosilau pwysig wedi'u canfod yn Chwarel Martin a'u hastudio gan yr Athro Derek Briggs o Amgueddfa Peabody Yale a'i gydweithwyr.

Tyfu i Fyny

Mae gan ein sbesimen (Triarthrus eatoni) ail drilobit bach iawn wrth ymyl yr un mwy. Roedd trilobitau yn tyfu o larfa i oedolyn trwy fwrw croen sawl gwaith. Wrth heneiddio, roeddynt yn cael gwared ar eu hen sgerbydau allanol yn gyson i dyfu'n fwy. Mae Triarthrus o faint amrywiol iawn wedi'u canfod yn y Gwely Trilobit, ond ni chanfuwyd dim o'i gyfnod larfal cynharaf. Roedd yn amlwg bod trilobitau o wahanol oed yn cyd-fyw, ond mae'n rhaid bod y larfau wedi byw yn rhywle arall. Efallai eu bod yn arnofio o gwmpas fel plancton yn y golofn ddŵr, tra bod rhai iau mwy ac oedolion yn byw ar wely'r môr.

No blog days

Graham Oliver, 2 Awst 2013

This happens on research cruises, some vital piece of gear is not working and as usual it has something to do with electronics on the remote camera array CAMPOD. So we are still in Tromsø! [1]

Talking of small cogs [2] in big wheels there was also a problem with one of the winches yesterday, but that is sorted.

A reminder that my ship [3] the "GO Sars" was named after the very famous Norwegian marine biologist who specialised in crustacean and molluscs, his books are still used to this day and are in the Museum's zoology library.

Also in Tromsø are two other research ships the older Norwegian "Hakon Moseby" [4] named after a Norwegian oceanographer and meteorologist and the massive German "Maria S Merian" [5] . This ship was named after Maria Sibylla Merian (1647-1717) a naturalist and illustrator [6 & 7] . See http://en.wikipedia.org/wiki/Maria_Sybilla_Merian for an account of this gifted lady pioneer who went to Surinam.

The sun is still shining in Tromsø and we have been informed that we sail around 01.00hrs.

Its now 07.30, breakfast time and we are leaving a cloudy Norway behind [8]. If you want to see where we are minute by minute you can see our position on the marinetraffic website

We should be at our first sampling station in 22hrs.

Day 1: Waiting for the ship in Tromsø; Two museums in one day – too much?

Graham Oliver, 31 Gorffennaf 2013

Tromsø University Museum [1] was established in the 1870s, it covers both regional natural history and culture. Small zoology and geology galleries explore northern Norway including an artificial aurora borealis machine (terella) [2]. Zoology is represented by a series of dioramas with a rather familiar sea-bird cliff [3]. There is content on human influences on nature including a view of what the local landscape (including flamingos and parakeets) might look like following climate change [4].

Geology has more content, not surprising with the rugged exposed landscapes up here. I thought the section on building stones was well done with a montage of polished stones [5] and a display of local slates [6]. They are very proud of their 10 metre ichthyosaur from Svalbard. No photo here as the reflection in the glass protection is impossible to resolve. Curator Elsebeth Thomsen tells me that the whole gallery will be refurbished soon with walk-over glass for the ichthyosaur.

Much more challenging was 'Metopa' in the Polarmuseet [7]. This exhibition [8] shows the research work of one of my sea-going colleagues Anne Helene Tanberg seen here on the left at the opening [9]. Metopa is the Latin name of the genus of amphipods that Anne Helene has been studying for a number of years now. The most familiar of the amphipods are the sandhoppers we find on our beaches but Metopa are small cold-water species. In this 28 panel show we are introduced to the morphology, classification and ecology of amphipods and how Anne Helene collects and studies them. For you museologists out there this is a challenging project as the content may not be seen as being for family audience. But Anne Helene has had positive feedback from visitors and school groups including kindergarten. The panels are attractive with excellent photographs of living amphipods [10] as well as reproductions [11] from the classic work of 1894 by the Norwegian Georg Ossian Sars, to whom the research ship has been dedicated. I have included some images of the texts [12, 13, 14], so you can debate among yourselves on the style and content. The panels are supported by a case filled with part of her collection and an epibenthic sledge [15] used to collect amphipods from the ocean floor. Anne Helene has also had workshop days when she has worked in the gallery [16].

Would this work in Cardiff? I don't know. Here people live much closer to nature, most children will have spent some time messing on the shore and the sea is an intimate part of most peoples' lives.

Gweithwyr Francis Crawshay

26 Gorffennaf 2013

Yn y portreadau bychan yma mae un ar bymtheg o weithwyr Francis Crawshay (1811-1878 ), diwydiannwr o'i anfodd fyddai'n meithrin perthynas bersonol agos â'i weithwyr, peth anarferol yn y cyfnod. Ym 1819 prynodd ei dad – y diwydiannwr mawr William Crawshay II – weithfeydd Dur Hirwaun, ac erbyn canol y 1830au roedd Francis yn eu rheoli, ynghyd â gweithfeydd tunplat y teulu yn Nhrefforest, ger Pontypridd, oedd newydd eu ehangu.

Mae'r grŵp yn gasgliad o grefftwyr, gweithwyr anfedrus a rheolwyr – pob un yn sefyll yn eu dillad gwaith, gyda'u hoffer gwaith, a thirlun yn gefndir. Er y byddai unigolion cyfoethog weithiau'n comisiynu portreadau o'u gweision tŷ, dyma'r unig ddelweddau hysbys o weithwyr diwydiannol.

Credir taw'r artist oedd William Jones Chapman (tua 1808 – wedi 1871), paentiwr portreadau a hela teithiol oedd yn gweithio'n bennaf yng Nghymru a siroedd y gororau. Cafodd y grŵp ei gadw yn y teulu Crawshay dros y cenedlaethau, ac efallai bod y casgliad gwreiddiol yn fwy fyth.

Priodolir i William Jones Chapman (?1808 – wedi 1871), un portread ar bymtheg o weithwyr Francis Crawshay (1811-1878 ) yng ngweithfeydd Dur Hirwaun a gweithfeydd Tunplat Trefforest, tua 1835-40.
Rhoddwyd gan Sylvia Crawshay, 2012