Yma yn Amgueddfa Genedlaethol y Glannau ein nod yw i groesawu a rhoi profiad byw, unigryw o Gymru, ei phobl a’r diwydiannau sydd wedi siapio ein gwlad a’n cymdeithas i ddisgyblion ysgol. Rydyn ni yn yr Amgueddfa wedi bod yn rhan o bartneriaeth arloesol am 15 mlynedd a mwy gyda Theatr na nÓg, Amgueddfa Abertawe a Technocamps. Mae’n bartneriaeth unigryw i Gymru, os nad Prydain. Mae’n cyfuno theatr byw gyda chasgliadau lleol a chenedlaethol ac arbenigedd Technocamps mewn cyfres o weithdai cyffrous.
Eleni, fe ddaw Theatr na nÓg â stori bwysig yr Arandora Star, a suddodd 80 mlynedd yn ôl, yn fyw i ddisgyblion ar draws Cymru drwy ddrama radio gyffrous. Bydd y ddrama eleni yn canolbwyntio ar Lina, merch ifanc sy'n byw yn Abertawe sy'n wynebu dyfodol ansicr ar ôl i'r Eidal ymuno â'r Rhyfel yn 1940. Mae ei thad yn cael ei gymryd o'u caffi bach yn Abertawe ac yn cael ei gludo ar yr Arandora Star. Collodd 805 o bobl eu bywydau, gan gynnwys Cymry o dras Eidalaidd, oedd ar eu ffordd i wersylloedd yng Nghanada.
Fe fydd hi’n flwyddyn go wahanol eleni yn sgil Covid-19 i ni ac i’r disgyblion. Fel arfer ar yr adeg yma o’r flwyddyn, fe fydden ni’n brysur yn gorffen paratoi gweithdai ‘hands-on’ cyffrous, yn barod i groesawu miloedd o blant ysgol drwy ddrysau'r Amgueddfa ond eleni mae pethau’n wahanol iawn i bob un ohonom. Gyda Covid-19 a'r cyfnod clo a ddilynodd daeth yn amlwg na fydden ni’n gallu dilyn yr un drefn - rhaid oedd bod yn fwy creadigol! Felly, gyda ein tîm bach, wnaethon ni fynd ati i greu gweithdy digidol, gyda ffilmiau byrion ac adnodd athrawon i gyd-fynd â’r ddrama radio ar The Arandora Star, gan ganolbwyntio ar stori technoleg ac arloesedd yn ystod yr Ail Ryfel Byd.
Felly yng ngweithdai digidol yr Amgueddfa byddwn yn cyflwyno cymeriad Capten Edward Morgan o’r Llynges Frenhinol. Bydd yn tywys dysgwyr trwy manylion y suddo a chyflwyno dyfeisiau a thechnoleg y cyfnod. Mae yna becyn ar gyfer athrawon gyda cyfres o wersi ag awgrymiadau er mwyn gwneud gwaith estynedig sy’n cyd-fynd â Chwricwlwm i Gymru 2022.Fe fydd y cynnwys i gyd ar gael drwy app gwych Theatr Na nÓg.
Just prior to lockdown we were able to run the first LGBTQ+ tours at the National Museum Cardiff which were created in partnership with Pride Cymru. As the doors unlock and visitors can start to return to the museum and also to mark and celebrate Pride Cymru 2020, I would like to share with you my favourite set of objects from the tours.
When I first saw the exquisite silver sleeve clasps with a centrally suspended chrysoprase teardrop gemstone flanked by two apple-green orbs, I was utterly charmed. What rooted me to the spot and caused goosebumps to tickle my skin though was the name of the owner and the donor: Miss May Morris, given by Miss M. F. V. Lobb.
Echoing in my mind was a talk, The Great Wings of Silence,that I’d seen Dr Sean Curran deliver at an LGBT+ History Month event at the V&A museum on their relationship. Curran also wrote about May Morris (1862-1938) and Mary Frances Vivian Lobb (1879-1939) saying, “people like Mary Lobb and May Morris are part of a still barely visible queer heritage that can contribute to legitimising contemporary queer identities”.
I felt what I was seeing was evidence of their relationship. Though, as it turns out, there are two great collections that hold jewellery made by May and gifted by Mary, National Museum Cardiff and my ‘home collection’ of the V&A. Somewhat ironic!
The Welsh Connection
The link between May and the V&A, I think, is easy to deduce: William Morris had significant influence in the early years of the V&A and after he died May, a respected artist in her own right, carried on his work teaching about good design principles and maintained a strong relationship with the museum.
While the Morris family were proud of their Welsh ancestry, the question of how May’s jewellery ended up specifically at National Museum Cardiff involves a curious path that takes in sites from all across Wales, and certainly affirms the significant relationship between May and Mary.
May was a skilled jewellery maker and embroiderer and took charge of the embroidery department of her father’s renowned company Morris & Co. when she was 23. By the time Mary came into her life, May was living alone in the Morris family summer residence, Kelmscott Manor in the Cotswold.
Mary was from a Cornish farming family and during the First World War and as an early recruit to the Women’s Land Army she was involved in demonstrations showing how women could support the war efforts, even making the news with a headline “Cornish Woman Drives Steam Roller”!
At some point after the war, Mary joined May at Kelmscott Manor and the couple became a familiar sight, even attending local events together. Then, perhaps as it is for some now, not everyone was sure what to make of the relationship: Mary has been variously described as Morris’s close companion, housekeeper, cook, and even bodyguard!
When May died in 1938 she bequeathed her personal effects and £12,000 to Mary, an amount larger than any she left to anyone else. She also secured the tenure of Kelmscott for the rest of Mary’s life, however, Mary tragically died five months later in 1939. In those short months, Mary arranged the donation of May’s jewellery as well as her own scrapbooks to the National Library of Wales.
The scrapbooks were not given much consideration and were broken up and scattered across various sections of the library. It was researcher Simon Evans who began slowly reassembling the collection, and as he did so started to realise the significance and how it helps paint a clearer picture of the relationship between May and Mary.
Rediscovered items include watercolour landscapes painted by May, which suggests the pair traveled extensively together across Wales with journeys including Cardigan, Gwynedd, Swansea, Talyllyn and Cader Idris (one of my favourite images of the couple is a photograph from the William Morris Gallery that shows them camping in the Welsh countryside).
The Queer Perspective
Sandwiched in the scrapbooks is also a cryptic note in a letter from May to Mary, "after posting letter, I just grasped the thread at the end of yours, and having grasped (how slow of me!) I will be most careful.”
To contextualise, Evans also describes a postcard (at Kelmscott Manor), written on a trip in Wales, in which Mary asked someone back at the Manor to send Morris’s shawl which is in "our" bedroom, which seems to put to bed the rumour May and Mary shared a room. Further, writer and curator Jan Marsh concludes in her book Jane and May Morris by saying the relationship between May and Mary was, in contemporary terms, a lesbian one.
Through the jewelry gifted to the National Museum Cardiff we have a small glimpse of two lives intertwined, an intimate relationship between May and Mary that was full of love, care, and concern for each other. Theirs is one story among many on the free volunteer-led LGBTQ+ tours, which will return in the future when it is safe to do so.
In the meantime, labels for 18 objects have now been written that help highlight works with an LGBTQ+ connection for visitors. Connected to the May and Mary is a stunning hair ornament, which resembles a tiara, formed by floral shapes studded with pearls, opals, and garnets with silver leaves, all meeting symmetrically in the middle of the head.
There are landscapes and a self-portrait by Swansea born painter Cedric Morris and several portraits by the renowned Gwen John who hails from Haverfordwest, as well as a bust of her by lover Rodin. Other highlights include works by Francis Bacon, John Minton, Christopher Wood, and 'Brunette' - a ceramic bust of Hollywood star Greta Garbo by Susie Cooper.
It is also now possible to explore the museum’s queer collection online by searching for ‘LGBTQ’ in the Collections Online. This will allow you to see works like The Wounded Amazon by Conwy sculptor John Gibson, a painting of Fisher Boys by Methyr Tydfil born artist Penry Williams (Gibson and Williams lived together in Rome and are understood to be lovers), and a ceramic plate that features perhaps the most famous lesbian couple in history, the Ladies of Llangollen, who lived together at Plâs Newydd.
It is a joy and a privilege to be able to share the rich history of Welsh queer culture in such a historic place. I'm pleased to say the tours and the related research are merely just getting started! There are so many more stories to be found and told, many that will take us down interesting intersectional paths too. So do stay tuned for more from the National Museum Cardiff and Pride Cymru volunteers.
For now I wish you a happy Pride. However you’re celebrating it, I hope it’s with as much sparkle as May and Mary’s glamorous bling!
Arweinwyr teithiau LGBTQ+
Dan Vo is a freelance museum consultant who founded the V&A LGBTQ+ Tours and developed the Amgueddfa Genedlaethol Caerdydd National Museum Cardiff LGBTQ+ Tours. He is currently the project manager and lead researcher of the Queer Heritage and Collections Nework, a subject specialist network supported by the Art Fund formed of a partnership between the National Trust, English Heritage, Historic England, Historic Royal Palaces and the Research Centre for Museums and Galleries (University of Leicester).
Mae llawer o brosesau diwydiannol wedi'u hysbrydoli gan natur, a gellid eu hystyried yn estyniad mecanyddol o broses law draddodiadol a oedd yn defnyddio pethau o fyd natur. Mae'r Gigiwr yn enghraifft wych o hyn. Dyma ychydig am y peiriant hynod hwn sy'n gymysgedd o'r naturiol a'r dynol.
Gigwr
Yn draddodiadol, byddai pobl yn defnyddio teilai neu 'lysiau'r cribwr' i gribo arwyneb y brethyn gwlân gwlyb gyda phennau pigog llysiau’r cribwr er mwyn ei wneud yn feddal ac yn fflwffiog. Yr enw ar hyn yw ‘codi’r geden’.
Dyfeisiwyd y peiriant hwn i gyflymu’r broses a’i gwneud yn fwy effeithiol. Mae’r gigwr yn cynnwys 3000 o lysiau’r cribwr pigog mewn ffrâm haearn ac fe’i gyrrir gan drydan.
Roedd y brethyn yn symud dros lysiau’r cribwr, gan roi gorffeniad mwy gwastad a fflwffiog iddo.
Y Gigiwr a theilau yn Amgueddfa Wlân Cymru
Mae’r gigwr yn gymysgedd diddorol o’r naturiol a'r diwydiannol. Roedd yn cyfuno prosesau a wnaed â llaw yn y gorffennol â pheirianneg fanwl – sef dyfodol y diwydiant tecstilau.
Byddai ‘Dyn Llysiau’r Cribwr’ yn teithio o un felin i’r llall i adnewyddu llysiau’r cribwr yn y gigwyr. Roedd y gwaith hwn yn gofyn am grin dipyn o fedr gan fod rhaid trefnu pennau llysiau’r cribwr yn ofalus er mwyn sicrhau bod y brethyn yn cael ei orffen yn wastad. Roedd y rhan fwyaf o lysiau’r cribwr yn dod o erddi arbenigol yng Ngwlad yr Haf.
Hoffai Amgueddfa Cymru longyfarch y 4,463 o ddisgyblion o ar draws y DU a enillodd gydnabyddiaeth Gwyddonydd Gwych am eu cyfraniad i'r ymchwiliad Bylbiau'r Gwanwyn i Ysgolion 2019-2020.
Llongyfarchiadau anferth i bob un o’r ysgolion! Diolch am weithio mor galed yn plannu, arsylwi a chofnodi, rydych yn wir yn Wyddonwyr Gwych!
Diolch yn fawr i Ymddiriedolaeth Edina am eu nawdd ac am helpu i wireddu’r project.
Gwyddonydd Gwych 2020:
Enillwyr / Winners
Cymru / Wales: Ysgol Gynradd Gymraeg Tonyrefail
Gogledd Iwerddon / Northern Ireland: Holy Cross Girls' Primary School
Lloegr / England: St Michael's CE Aided Primary School
Yr Alban / Scotland: Gavinburn Primary School
Yn Ail / Runners up
Cymru / Wales: Bryncoch CiW Primary School
Gogledd Iwerddon / Northern Ireland: Greenhaw Primary School
Lloegr / England: King's Meadow Academy
Yr Alban / Scotland: Penpont Primary School
Clod Uchel / Highly Commended
Cymru / Wales:
St Paul's CiW Primary
St. Julian's Primary
St. Robert's Catholic Primary
Ysgol Gymraeg Caerffili
Gogledd Iwerddon / Northern Ireland:
Steelstown Primary School
Lloegr / England:
Arkholme C of E Primary School
Bursar Primary Academy
Clifton Primary School
Ossett Flushdyke Junior and Infant School
St Austins Catholic Primary School
Stoneferry Primary School
Woodfield Primary
Yr Alban / Scotland:
Dalbeattie Primary School
St Fergus' Primary School
St John Ogilvie Primary School
Cydnabyddiaeth arbennig / Special Recognition
Cymru / Wales:
Blaendulais Primary School
Bro Pedr
Broad Haven
Carreghofa C P School
Darran Park Primary
Evenlode Primary
Ferryside V.C.P School
Gaer Primary School
Henllys C/W Primary
Litchard Primary School
Llanedeyrn Primary School
Llanharan Primary School
Pil Primary School
Sofrydd Primary School
St Athan Primary
St Joseph's Cathedral Primary School
Tonyrefail Community School
Ysgol Deganwy
Ysgol Gymraeg Dewi Sant
Ysgol Llwyn yr Eos
Ysgol San Sior
Lloegr / England:
Canon Peter Hall Primary School
Fieldhead Primary Academy
Fleet Wood Lane Primary School
Hudson Road Primary School
Oldfleet Primary School
Stanford in the Vale Primary School
Yr Alban / Scotland:
Carnbroe Primary School
Earlston Primary School
Greenburn School
Lawefield Primary School
Sanquhar Primary School
St Mungo Primary
Whatriggs Primary School
Gwyddonwyr Gwych / Super Scientists
Cymru / Wales:
Dyffryn Cledlyn
Aberdare Park Primary School
Albert Primary School
Blaengwrach Primary
Garth primary School
Georgetown Primary
Hendredenny Park Primary
High Cross Primary School
Llangan Primary School
Maesgwyn Special School
NPTC Newtown College
St. Michael's RC Primary
Ty Isaf Infants School
White Rose Primary School
Y Berllan Deg
Ysgol Craig yr Wylfa
Ysgol Ysbyty Ifan
Gogledd Iwerddon / Northern Ireland:
Auchencairn Primary School
John Paul II Primary School
Newbuildings Primary School
Saint Patrick's Primary School
St Anne's Primary School
St Paul's Primary and Nursery School
Lloegr / England:
Adelaide Primary School
Bardney CofE Primary School
Castleford Park Junior Academy
Chorley St James CE Primary
Dunstall Hill Primary School
Garstang St Thomas C.E. Primary
Gonerby Hill Foot C E Primary School
North Road Primary School
Sandal Magna Community Academy
St Helen's C of E Primary School
St Michael's Church of England Aided Primary School
The current Covid situation has brought us closer as a family and we have spoken to neighbours we didn’t know before… We have communicated by Zoom with our children. Our son is a doctor and has been involved in ITU in a main London hospital. He was pleased to contribute on the front line but equally pleased to leave it when things settled down.
The lockdown was a rollercoaster. I am now used to the new normal although miss my children dreadfully from the point of view of actually being able to see them. I am calmer than I was at the beginning of the pandemic but still very much aware of my own anxiety about keeping a social distance with people.
One of the ways I dealt with my anxiety was to walk the streets of Cardiff taking photographs of people’s window displays - the colourful rainbows and the messages of support to NHS workers. That activity, playing quizzes online with the family, my dad’s 90th in the garden at a social distance and clapping and chatting to neighbours on a Thursday night will stay in my mind forever.
Everyone has learned that in the end, a simple life is best. I have certainly learned to appreciate my local community more - the corner shop and veg and fruit barrow, the market - who all went out of their way to help with providing food. It made me think how lucky I am to have a garden and green space outside my door. Everyone I have spoken to have appreciated how much more difficult it must have been and still is for those who live in high-rise flats/have mental health issues and those who are on the NHS waiting lists. It makes you appreciate what you have rather than what you don’t and how maintaining good health is a priority.