Eitem arall yn y gyfres Lleisiau o’r Archifau o Archif Sain, Sain Ffagan Amgueddfa Werin Cymru. Mae’r gyfres hon yn cyd-redeg â gweithgareddau a digwyddiadau amaethyddol yr Amgueddfa. Ffermwyr oedd y siaradwyr, a oedd, fel arfer, wedi byw yn yr un ardal trwy gydol eu hoes. Mae’r disgrifiadau, y profiadau, yr atgofion, y lleisiau a’r acenion yn wreiddiol ac unigryw, o wahanol ardaloedd, ac o wahanol gyfnodau.

I gyd-fynd gyda’r wyna yn Llwyn-yr-eos, fferm yr Amgueddfa, dyma ddarn o recordiad o Dan Theophilus, Allt yr erw, Rhandir-mwyn, a recordiwyd ym mis Gorffennaf 1975, pan yn 65 oed. Mae’n sôn am wahanol agweddau ar wyna: gofalu am y defaid; delio gyda thrafferthion ac afiechydon; mabwysiadu oen; marcio clustiau; a throi’r defaid a’r wyn i’r mynydd.

Each week, hundreds of people will walk through the front doors of the National Museum Cardiff. Yet despite visiting the exhibitions on display, many will be oblivious to what goes on in the background. Conducting a work experience placement at the museum gave us a rare insight into how much work and effort goes on behind closed doors.

With the intention of creating a video for the Saving Treasures, Telling Stories project, we were taken on a tour around the archaeology department on our first day of placement. We were fortunate to be shown around the stores, where many remarkable items were kept for preservation and research. Some of the items we viewed were Roman and prehistoric pots, vases and burial urns, which allowed us to explore how communities and cultures operated thousands of years ago.

The following day we attended Cyfarthfa Museum in Merthyr Tydfil, which is to acquire a hoard of five Roman Denarii, with thanks to funding from the Saving Treasures project. We filmed museum staff and the finders of the hoard, and heard about its significance. It was great to see the enthusiasm of the metal detectorists who discovered the hoard, and how proud they were of their achievement.

We spent the next few days editing the video together back at the University of South Wales campus. This proved to be a difficult job, as there were so many great shots to choose from, so it was difficult to decide which to cut out. However, the staff were always on hand to answer any questions we had and help out where possible.

Working at the National Museum Cardiff was a wonderful experience, and we were able to appreciate just how much work goes on behind closed doors to create the exhibitions we see. This work and research has helped us to understand history and past cultures in greater detail, and we would like to thank all the staff for their friendliness and a great week.

The Museum's economic botany collection includes 218 specimens of medicinal plants and nearly 500 Materia Medica specimens donated by Prof. Terence Turner (Cardiff School of Pharmacy and Pharmaceutical Sciences). Read more about the Materia Medica collection here.

Economic botany is a term that refers to a group of plants that have recognised societal benefit. The Amgueddfa Cymru – National Museum Wales economic botany collection contains over 5,500 plant-based specimens, together with 12,000 timber specimens. Categories within the collection include medicinal plants; food products; dyes and tannins; gums, resins and fibres; and seeds.

The Americas: Coca Kola and Quinine

The medicinal plants collection includes a range of plants from the North Americas used in Native American herbal medicine, including Euonymus atropurpureus (Burning bush), Grindelia species (Gumweed), Sanguinaria canadensis (Blood root) and Ulmus rubra (Slippery Elm bark).

The collection also features a range of medicinal plants used by indigenous peoples in South America including the leaves of Erythroxylum coca (Coca) – considered a stimulant. Cola vera nuts and Erythroxylum coca leaves were used as ingredients of an early form of Coca Cola.

The collection features a significant range of Cinchona species barks acquired in the 1920s – a source of quinine used to cure malaria.

Asia: Ayurvedic and Chinese Medicine

Within the collection there are a range of medicinal plants from India and South East Asia, including Butea frondosa – said to have been used to achieve enlightenment by Theraveda Buddhists; Strychnos nux-vomica – also known as Poison nut and used in Ayurvedic and Homeopathic medicinal systems. The collection also includes more familiar specimens including Cinnamomum species (Cinnamon), Glycyrrhiza glabra (Licorice), Cassia buds and Senna pods.

Medicinal specimens from the UK

In 1939, prior to World War Two, a range of herbs were added to the collection including Arnica montana, Helleborus niger (Black Hellebore), Calendula officinalis, Inula helenium (Elecampane), Chrysanthemum species and Prunus avium (Wild Cherry) bark. In contrast to some of the earlier acquisitions, these are all plants that can be cultivated in the UK.

More recent acquisitions

After the war, there were only four more additions up until 1973. Of note, include Rauwolfia species (Tropical Africa 1969 and India 1969) – recognised as source of reserpine. The 1970s were a more lively time for the collection with 38 additions – perhaps driven by the interest of the Botany Keeper at the time, S.G. Harrison. In 1973–1981, exotic plants were added including Aloe species – (Aloe barbadensis, A.perryi and A.vera), Eucalyptus species, Maranta arundinacea (Arrowroot), Ipomoea species (Sweet potato), Iris species (Orris), Rheum species (Chinese rhubarb), Ricinus communis (Castor oil fruits), Wild Tonka Beans (used in perfumery and source of Coumarin), Derris species – considered to have laxative and carminative properties and used for anti-arthritis treatment, Frangula alnus (Alder buckthorn), Colubrina elliptica (the bark is used for a popular drink in the West Indies, Maubi).

In 2017–2018 Poppy Nicol worked with Heather Pardoe to explore the economic botany collection and its relevance for helping us understand biodiversity and the importance of plants for health and well-being. You can read more about the Sharing Stories Sharing Collections Project.

The People & Plants exhibition runs until this Sunday 17 March 2019 at National Museum Cardiff.

This article is by Poppy Nicol, a visiting researcher from Cardiff University.

The National Museum of Wales is home to the Clore Discovery Centre, a hands-on gallery full of exciting treasures. This gallery offers visitors the opportunity to get up close and personal with hundreds of objects from The Museum’s collections, from whale bones to Tudor fabrics. 

I have been working at the Discovery Centre for over two years. As a Learning Facilitator, my role is to help visitors of all ages and backgrounds enjoy and learn about our collections. I help people do this in many ways, including handling the objects (carefully!), examining them up close, making connections between objects, and using supporting materials such as books and toys to find out more.

I have become very familiar with our collections, which are housed in drawers with booklets that help us to discover more. Something that I find very interesting about the work of museums is the decisions that are made around how to interpret and talk about objects. One of my favourite drawers illustrates a perfect example of this.

If you were a museum curator and you had a fossil specimen, which collection would you put it into? Maybe the easiest answer is that you would look at it scientifically, and house it in the Geology collection…

However, my favourite drawer, ‘Fossil Folklore’, may help you to think of fossils in a different way, not as science but as part of the stories and local cultures of Britain many generations ago. 

When you think about fossils, what do you think about?

Maybe you think about fossils in a museum cabinet, or fossils on a beach such as nearby Penarth (where the odd dinosaur bone has been dug up over the years)!

What would you think if you found a fossil but didn’t know what it was? What if you had never seen one before?

‘Fossil Folklore’ is a drawer in the Clore Discovery Centre that perfectly addresses this question. Over time, people from different countries and cultures have made their own stories about fossils, what they are, and where they come from. 

You may be familiar with the ammonite, a round spiral fossil with ridges. The ammonite was a sea creature that lived around the coasts of Britain about 100 million years ago. It is related to the modern nautilus and even squid. Its soft body has decayed with time, and the ridges that we trace our fingers over are the animal’s hard shell. 

But what if you found an ammonite and you had never seen one before? 

Maybe you would guess that it was a snail, or a long, thin creature curled up into a spiral? Maybe you would think of a story explaining what you thought the ammonite was. 

When you look at an ammonite, you can imagine it as a snake curled up into a spiral. For this reason, ammonite fossils were often referred to as “snakestones”. The people of Whitby in Yorkshire have passed down the Legend of St. Hilda to explain their ideas about ammonites and their origin. St. Hilda, a spirited Northumbrian royal, is said to have uttered a mighty prayer and cut off the heads of all the local snakes before turning them into stone. In Christianity, snakes are often seen as symbols of evil, so St. Hilda’s triumph is celebrated. Local craftspeople in Whitby often carved the head of a snake into the ammonite fossils.

One of the reasons that I find this drawer so fascinating is that I love stories. Stories help us to make bonds with each other and to make sense of the world around us. The snakestone story gives us a glimpse into the lives of people living in the Britain many generations ago and helps us to understand how they made sense of their world. Scientific discoveries are always being made, and our understanding of the world is always evolving and changing. Why not come and explore at our Discovery Centre and see if you can find out more about our understanding of the world in which we live?

The Clore Discovery Centre at the National Museum is open at weekends and during school holidays (10am until 4:45pm). The Museum is closed on Mondays.

Were you amongst among the record number of people who enjoyed our recent ‘Tim Peake’ and ‘Leonardo da Vinci’ exhibitions at National Museum Cardiff? Did you realise that, while you were in the public galleries, there were workers with hard hats and power tools working to improve the building?

We are currently undertaking a large amount of maintenance works in the museum. We do this in such a way to minimise the disturbance to our visitors as much as possible. We want you to enjoy your experience at the museum and be inspired. During the coming months, however, scaffolding will be erected around parts of the building. We are also going to get a temporary over roof on the oldest part of the museum.

Given that this part of the building was opened as long ago as April 1927 by King George V it is now due some tender loving care. Owing to the ravages of time, the roof has developed a few leaks which we are going to repair this year. This also involves having to close some galleries temporarily, for example the Ceramics and Photography galleries. We do apologise for the inconvenience, but these closures are necessary to allow us to undertake the work on the roof and associated internal works.

Galleries will reopen refreshed in the Autumn of 2019, once the works are completed. The brilliant news is that we will be able to present exhibitions without having to worry about a leaking roof. Associated electrical rewiring will also reduce the fire risk in the museum.

Other works we are undertaking - unbeknown to most people as these are happening in our basement - are further electrical works and substantial improvements to our air conditioning systems. This includes the installation of new air conditioning equipment to replace old equipment which will make the museum much more environmentally sustainable.

We are undertaking these works, with kind support of Welsh Government, to protect the Welsh national collection. We constantly strive to improve the way we care for the three million objects housed at National Museum Cardiff. The collections allow us to refresh displays regularly and put on exhibitions with new themes – check out our new ‘People and Plants’ exhibition of the museum’s economic Botany collection. Collections are also used for research, study, teaching, commemoration and many other functions.

Hence, there are many reasons why we would want to do our best to preserve the collections as best we can. The maintenance works during the coming months will greatly assist us with our collection care and, if these occasionally impact on our public spaces, we do ask that you bear with us – the works are temporary but the benefits will be long-lasting.

Find out more about Care of Collections at Amgueddfa Cymru - National Museum Wales here and follow us on Twitter. Follow the progress of the maintenance works during the coming months in 2019 on Twitter using the hashtag #museumcare.