Standing on what felt like the top of the world and slowly regaining our breaths back, they were soon taken away again when looking at the awe inspiring landscape of Whiteford Sands in Swansea Bay.

Swansea Museum is working on a project called ‘The Lost Treasures of Swansea Bay’, which is funded by the help of the ‘Saving Treasures; Telling Stories’ project. Saving Treasures is funded by the Heritage Lottery Fund which is acquiring archaeological objects for local and national collections, providing training for heritage professionals and volunteers and engaging local communities with their pasts.

Last week the museum teamed up with young people from Swansea YMCA, The National Trust and The Glamorgan Gwent Archaeology Trust to hike around Whiteford Sands in the Gower area of Swansea Bay. This walk was intended to give us an understanding of the changing landscape of Swansea Bay since the Bronze Age.

The Landscape

Corinne Benbow is a National Trust Ranger and she led the first half of the walk up a very steep hill in order to get the best viewpoints overlooking the beach and woodland areas.

Corinne explained that what we could see was quite unspoiled, she said: “You’re looking at quite an ancient landscape and it wouldn’t have changed that much since the Bronze Age.”

Pointing over towards the coastline, Corinne spoke about how the landscape has slightly changed over the years.

“This piece of land is actually brand new and doesn’t belong to anyone as it has only appeared over the last twenty-five years; that’s because of the sand being washed in and building up. The new dunes get washed away and are then re-built back up; so it’s always shifting, but is basically the same as it’s been for thousands of years.”

Hidden Secrets

After a lunch break and water painting session of the landscape, we continued our walks through the woods, over the sand dunes and onto the pebbly beach. It was here where Paul Huckfield, an archaeologist from the Glamorgan Gwent Archaeology Trust, revealed some hidden treasures found on the beach.

Paul said: “We are currently stood on a prehistoric ground surface which was originally a forest. This dates back to the late Mesolithic, early Neolithic age at around 5000-4000 BC. As you can see the remains of the trees around you are still here.”

At a first glance you would assume the trees were drift wood washed ashore, but they were in fact, alder trees almost 7000 years old. Paul explained how the landscape which is currently a sandy beach area would have actually been a woodland area similar to the one we walked through. 

Why were they a secret?

Nobody knew these 7000 year old trees even existed until they were found between 2010- 2012 when the beach lost some of its sand and the trees came to light.

The Saving Treasures; Telling Stories Project is a partnership project between Amgueddfa Cymru – National Museum Wales, The Federation of Museums and Art Galleries of Wales (The FED) and the Portable Antiquities Scheme in Wales (PAS Cymru) promoting the portable archaeological heritage of Wales through acquiring finds made by the public. The project secured Heritage Lottery Grant funding in October 2014 through the Collecting Cultures programme and runs for five years.

It will help Swansea Museum to acquire and safeguard items of portable heritage with special significance to Swansea Bay for the people of Swansea. It will also enable the museum to work with local communities to engage with and explore these treasures and to find out more about Swansea Bay

Amgueddfa Cymru - National Museum Wales and The Saving Treasures; Telling Stories Project have teamed up with the University of South Wales and students on the journalism course.

Working in the Archaeology and Communications departments, using their media and journalistic knowledge, the students will be bringing to life significant archaeological discoveries and telling the stories behind the items and the people who found them. There will be a series of two week work placements from a variety of students.

Here’s what our most recent students had to say about their time working on Saving Treasures; Telling Stories:

Our experience working on Saving Treasures; Telling Stories Project

Coming from a journalism background we were anticipating our placement with the Saving Treasures; Telling Stories project and had a lot of questions of what to expect.

What is Archaeology?

What do Archaeologists do?

And what is the Saving Treasures Project?

On our first day Rhianydd, Mark, Adam and the rest of the team were more than welcoming which is always reassuring when on a work placement. They spent the day showing us some mesmerising objects found during archaeological excavations or by metal detectorists and then teaching us everything we needed to know (which wasn’t easy as there are a lot to remember!) It was fascinating for us to begin to understand objects dating back thousands of years ago and their significance to our lives at present.

Here is where the fun started.

What we did

The rest of our first week we travelled around South Wales to places such as Swansea and Brecon to start recording our interviews about some of the most recently discovered objects.

It was a gloomy and rainy Tuesday but nevertheless we travelled to Brecon to meet with Nigel Blackamore and the team at Brecknock Museum (they even gave us biscuits!) who let us spend the day interviewing in their library.

We interviewed a local metal detectorist as well as a married couple who, over forty years ago, found a dagger in Swansea Bay and have kept it ever since for good luck and as a symbol of their relationship. An earlier blog about the Swansea Bay dagger can be found here.

We also spoke to Nigel about the Portable Antiquities Scheme and the future of museums; as a journalist it’s all about telling stories and getting important information to the public.

Roqib also had the chance of fulfilling a lifetime dream of holding a metal detector. (He was really excited).

Putting our journalism skills to work

On the Wednesday we went to Swansea Museum to meet with Emma Williams and Phil Treseder about Swansea’s involvement with the Saving Treasures Project and what their aims are for the future of Swansea Museum. We also interviewed collector Geoff Archer, who recently found a very rare Bronze Age mould for making axe heads.

To spend the week interviewing people who are so passionate about preserving the archaeology and heritage of South Wales for future generations, in whatever form they can, was an honour and a privilege and certainly put our journalistic interview techniques to the test.

Over the following week we were able to edit the interviews and write our articles with the overlooking expertise of Catrin Taylor and the Communications department; again linking in our journalism skills to help tell the stories of the people and objects.

A thank you from us

We’ve had a wonderful and insightful two weeks and we’ve met some incredible people during this time. The support we’ve received to create the best possible content has been outstanding and we now know what archaeology is, what an archaeologist does and what the Saving Treasures Project is!

We can’t wait to continue to work closely with the Saving Treasures, Telling Stories project and follow its success until 2019. Thank you to everyone who we have met and worked with!

@A_Dickinson_

@MonsurMedia

If you have read any of the recent blog posts about the Saving Treasures; Telling Stories Project, or the Lost Treasures of Swansea Bay Project and its various exciting activities, you will know that Saving Treasures works with metal detector groups and local museums in Wales to widen access to, and understanding of, the material heritage of Wales.

What is material heritage?

Material heritage is the physical remains of the past, the objects left behind by past societies. Often, these are brought to light by members of the public, mainly metal detectorists, who report their significant finds to their local Finds Liaison Officer in order that they can be recorded on the Portable Antiquities Scheme database.

Taken together, these objects – especially when they are made available to the public in museum collections – help to build up a picture of how we used to live and who we used to be.

Why is it important?

The Saving Treasures; Telling Stories Project recognises that interaction with the history of your local area through the objects past communities left behind can be a powerful and enriching experience.

For those who are interested in the past, having access to the actual things that long-dead people used, wore and handled can bring us into contact with them much more directly than a history book ever could.

Every object has a story to tell

The discovery of a lost mourning ring or a hoard of Bronze Age axes tells us something about the people who used such objects and raises questions about how they came to be in the ground. Were they lost, discarded, or put there deliberately? And if so, why?

Thinking about these questions allows us to empathise with our forebears, understand something of their hopes, fears and concerns, and walk a little way in their shoes.

Sometime at the beginning of the Bronze Age, about 2,250 to 2,000 BC, some people walked through the wetlands where Swansea Bay now lies. Perhaps they used one of the wooden trackways which had been laid across the wet ground, parts of which can still be seen when the tide is out.

They had with them a special object, a fine flint dagger, a piece of exquisite workmanship made by an expert craftsman. The dagger was part of a Europe-wide culture, and was perhaps an important part of their identity.

For some reason the precious object was dropped; perhaps by accident, but more likely left as a deliberate offering in shallow water in a place of special significance.

Rediscovery

The dagger remained submerged, first in the water, and then, as the environment changed, in peat beneath the sands of Swansea Bay, for four millennia. Then, in 1971, a student, Paul Tambling and his girlfriend, Angela, were walking across the bay and saw it sticking out of the sand.

They picked it up and took it home, and it became a treasured object once more, associated with happy memories and a unique symbol of their relationship.

Reporting

Early in 2016 Paul and Angela heard of a flint knapping demonstration being held at Cyfarthfa House Museum in Merthyr Tydfil and decided to take their dagger along to show an expert.

The flint knapper recognised the dagger’s significance and it was reported to Mark Lodwick, the Portable Antiquities Scheme finds co-ordinator at Amgueddfa Cymru.

The dagger was identified as a ‘Beaker Dagger’, more commonly found in south-eastern England, often accompanying high-status burials, with only four other examples known of in Wales.

The discovery was exciting, and Mark contacted Paul and Angela, who brought the dagger in for recording and told him their story.

Recreation

Ideally, an object of this importance would belong in a public collection in a museum, but it is understandable that Paul and Angela want to keep it, given its personal significance to them.

Happily, a solution has been found in the form of flint-knapper Karl Lee, who attended Swansea Museum’s Welsh Museums Festival event in October and made a replica for display in their galleries.

It will now become a part of Swansea Museum’s Lost Treasures of Swansea Bay project, which invites communities to respond to the deep history of the bay through the many archaeological items found there by members of the public.

On a bright and breezy Saturday morning in September an enthusiastic group of children and adults gathered at the Mumbles in wellies and hi-vis jackets ready for a Big Beachcomb.

The Beachcomb was the first activity of Swansea Museum’s Lost Treasures of Swansea Bay project, which is being funded by the Saving Treasures; Telling Stories project based at Amgueddfa Cymru.

Led by Paul Huckfield of the Glamorgan Gwent Archaeological Trust and Mark Lodwick of the Portable Antiquities Scheme Cymru we set out with the retreating tide to see what treasures of Swansea’s past we could find.

Searching

The vast expanse of mud, sand, rocks and shallow pools did not look promising at first. But almost as soon as we had set off Paul was showing us the blackened and glistening remains of a prehistoric forest. Within another hour he had pointed out the sites of seven shipwrecks, old mooring points and other remains of Swansea’s maritime past.

On the surface of the shore we found hundreds of pieces of old pottery, metalwork, animal bones, glassware and pieces of clay pipe. A particularly evocative find was the base of a wine bottle, dating back to the 1600s.

The glass was thick, and so dark that you could only see its muddy green colour by holding it up to the sun. This was a high-status object - once, it would have held a decent vintage rather than plonk.

Collecting

When enough pieces had been collected in carefully labelled bags we laid them out on the slipway and sorted them into categories with the help of Paul and Mark – ceramics, glass and metalware, organic material.

Imagining

We speculated about who the objects had belonged to, when they were made, and how they ended up in Swansea Bay. Some, such as the bottle and some of the pots, were imported items – could they have been among the cargoes of one of the wrecked ships? Had the pipes been smoked by sailors and fishermen with wheezy chests? Were the bones the remains of their dinner?

Our treasures have now been taken back to Swansea Museum where they will be studied by the Young Archaeologists Club and used as inspiration for the Dylan Thomas Centre’s Young Writers Squad.

Look out for the next chapter in their history in a future blog.

People have been hoarding objects for thousands of years.

People still do it today, but its origins lie in prehistory. This was very common in the Bronze Age (around 3000 years ago) when people collected items, such as weapons and tools, and buried them in pits and ditches. 

Hoards may contain only three or four objects, or up to fifty or more. The largest Bronze Age hoard currently known in Britain contains over 6500 objects! Many hoards have been found in Wales recently and reported through the Portable Antiquities Scheme Cymru. This greatly adds to our understanding of prehistoric Wales.

Most recently, the Trevethin hoard from Torfaen has caught media attention, containing three axes and two spearheads. Other hoards have recently been found in the Vale of Glamorgan, Carmarthenshire, and Monmouthshire.

Buried objects include swords, spears, axes, and ingots of raw metal. Sometimes these objects were buried complete and pristine, while others were deliberately broken, burnt and bent before being put in the ground.

Many questions surround this practice.

Why were so many objects buried?

Why were some objects broken, while others were left intact?

Were hoards for religious purposes (e.g. as an offering)? Or did they act as stores of raw material that were lost?

It’s unlikely we will ever truly know the answers to these questions, and there is no “one-size-fits-all” approach. However, archaeologists can speculate based on how and where the hoard was buried and by comparing it to known historical periods in which hoarding was also practiced.

For instance, many hoards in Roman and Medieval times were deposited for safe keeping, during times of unrest. Meanwhile, objects deposited on hilltops or in rivers may have been symbolic markers within the landscape.

We can also think about what people do with objects today.

Some people collect objects for a hobby, such as stamps, coins, or shot glasses. Sometimes it’s for a specific purpose, such as preserving heritage – museums are an excellent example of this.

Similarly, items might be destroyed or discarded for a variety of reasons, such as eliminating a memory, commemorating the death of a friend or family, or simply as waste. Of course we can’t forget that sometimes objects might simply be lost.

Whatever the reason, hoarding formed an important tradition in Bronze Age Wales. With every new discovery, archaeologists get one step closer to understanding prehistoric ideas and values.

The Trevethin hoard is one of several hoards that was responsibly reported through the Portable Antiquities Scheme Cymru. It is now proudly on display at Pontypool Museum where it can be enjoyed by all members of the public. It was acquired with funding from the Saving Treasures: Telling Stories Project. More details on how the hoard was investigated, as well as a conversation with the finder, Gareth Wileman, can be found here.

Over the last few months you may have seen the Saving Treasures; Telling Stories team on social media using the hashtag ‘Finds Friday’, where we’ve been showcasing some of our wonderful treasure and non-treasure items recorded by the Portable Antiquities Scheme Cymru.

This month we’d like to focus on two special finds from Wales: The Abergavenny Coin Hoard and a prehistoric feasting site in Llanmaes.

Why these two finds?

Both have been nominated in a nationwide competition, held by the British Museum and The Daily Telegraph, to search for the nation’s favourite treasure item from the ‘Top 20’ list.

2017 marks the 20^th anniversary since the passing of the 1996 Treasure Act and items on the ‘Top 20’ list highlight some of the most important treasure discoveries since the Treasure Act.

We might be a tad biased towards which ones we’ll be voting for, but we want to share the history behind these finds as they really do have a story to tell, or in the case of Llanmaes, an enigmatic mystery as to what was actually happening at the site. You can read about the 20 items by clicking this link, and don't forget to vote!

Llanmaes

Our first nomination on the ‘Top 20’ treasure list is a site, rather than a single group of objects. The discovery is a prehistoric feasting place and settlement, uncovered in Llanmaes, in the Vale of Glamorgan.

This important site was discovered following the reporting of a potential treasure find by two metal detectorists in 2003, and excavation continued for the next seven years by archaeologists from the National Museum of Wales, assisted by students from Cardiff University and local volunteers.

The story behind Llanmaes

The earliest remains on the site, dating to about 2150-1950 BC, are the cremated remains of an adult male, which were buried in an urn. It seems that this burial provided the focus for later settlement, which yielded treasure objects such as a gold bead. One mystery object in the shape of a great white shark’s tooth has left archaeologists puzzled. We’re not too sure where it came from or why it was left there!

By the beginning of the Iron Age (about 675 BC) this settlement had been abandoned, but the site continued to be the focus of human activity in the form of feasting, which left behind an extensive midden deposit. This is the first known example from Wales, of a class of middens representing remarkable accumulations of cultural material gathered by communities at the beginning of the Iron Age. This has revealed an extraordinary prehistoric feasting mound, containing thousands of pig bones, further feasting vessels, bronze cauldrons, pottery and axes.

Unexpectedly, nearly three-quarters of the animal bones were from pigs – a far higher proportion than is usual for such deposits, and, even more remarkable is the discovery that the majority of the pigs’ bones were from the right fore-quarter of the animal. Similarly, some of the axe-heads are of a type associated with parts of northern France, so it seems as though people were converging on Llanmaes during the Early Iron Age from a wide area to engage in cultural activities which had clear rules and accepted practices.

Feasting seems to have come to an end at the site during the Roman period, when changing cultural practices made the earlier rituals less appropriate, but evidence of continued Roman occupation suggests that it still held meaning for local people into the 4^th century AD.

The community at Llanmaes were closely involved with the excavations over the years, and the National Museum’s Archaeology department brought in a number of school groups to work with artists on creative responses, such as performances, inspired by the site.

Abergavenny hoard

In April 2002 three metal-detectorists had the find of their lives in a field near Abergavenny, Monmouthshire where they found a scattered hoard of 199 silver pennies.

The Abergavenny hoard is the earliest Norman hoard from Wales and provides a vivid picture of monetary circulation in the Welsh March in the 1080s CE. It includes 130 coins of the Anglo-Saxon king Edward the Confessor (1042-66) and 69 coins of the Norman king William the Conqueror (1066-87).

Where did they come from?

Norman incursions into Gwent (present-day Monmouthshire) had followed hard on the heels of the conquest of England by Duke William in 1066 and they brought with them the habit of using coins.

The 199 silver pennies provide a rich mixture of issues of Edward the Confessor (1042-66) and William the Conqueror (1066-87); there are coins of 104 moneyers from 36 mints, with Hereford prominent.

The coins had been lost or hidden in a cloth bag, after about 1080 CE and for most people living in that time they would have represented several months’ pay. However, the lack of positive archaeological context makes it impossible to judge whether the coins had been concealed deliberately or were simply lost. We shall probably never know quite why these coins ended up in the corner of a field in Monmouthshire but, as well as expanding our knowledge of the coinage itself, they will cast new light on monetary conditions in the area after the Norman Conquest.

And there we have it, our two treasure finds on the ‘Top 20’ treasures list.

The online voting continues until May 15^th, and you can vote for LLanmaes or the Abergavenny Hoard by following this link:

http://www.telegraph.co.uk/wellbeing/mood-and-mind/treasure-20-vote-favourite/.

Looking across Swansea Bay on a chilly spring morning and seeing that the tide was out came with a sigh of relief as this meant we didn’t have to wait an hour or so to get started with our beachcomb.

I joined Swansea Museum on The Mumbles side of the Bay to take part in one of their community projects that aims to engage local communities with their pasts. On this occasion the museum teamed up with the Llanrhidian Women’s Institute and the Gurnos Men’s Community First group to take part in a beachcomb led by archaeologist Paul Huckfield, from the Glamorgan Gwent Archaeological Trust.

All wrapped up in extra layers we were ready to begin our trek across the swamp-like beach, luckily most of us received the wellies memo and they were definitely needed.

Paul wanted to create a sense of what the landscape would have been like during the Bronze Age and took us to areas on the beach where some of the landscape remained fairly similar and unchanged.

“We’re standing on the actual ground surface as it would have been in the Bronze Age. You can see the peat levels just here show what would have been around in the Bronze Age; you can see that this is black in colour from the trees and bits of foliage. So you’re actually standing in the past at around 4,000 years ago.”

Travelling through time across the bay allowed us to think of what life would have been like 4,000 years ago, what is now a beach would have been a woodland and shrubbery area surrounded with fresh water pools.

Paul talks about some of the reason why the landscape changed and during what periods. You can watch the clip HERE:

Bringing us through time to the 19^th and 20^th century we were then led to some of the remaining shipwrecks found on Swansea Bay. On the Mumbles side of the bay alone we could spot around 14 shipwrecks and vessels. Vessel remains are still on the bay and these would have been used to protect the area from submarine attacks during the Second World War.

Paul said: “The whole beach is covered in metal uprights and wire to stop enemy gliders coming onto the beach.”

Another shipwreck was part of an oyster fleet. We learnt that the bay was a natural resource for oysters and they were a major food source, some dating back to Roman times, however this source was destroyed during the industrial period.

After having a look around the beach and learning how it has changed through time with different inhabitants we were then given clear bags and told to try and find our own items.

We found a variety of items during the beachcomb from ceramics, beer bottles from London, fossils and different types of slate and stone. The items found today along with others from previous beachcombs with Swansea Museum will be kept and made into a mosaic for public viewing in the future.

Swansea Museum are currently working on a project called ‘The Lost Treasures of Swansea Bay’, which is funded by the help of the ‘Saving Treasures; Telling Stories’ project and you can read about the last walk I attended with them HERE. Saving Treasures is funded by the Heritage Lottery Fund which is acquiring archaeological objects for local and national collections and providing training for heritage professionals and volunteers.

By Rebecca Ling

I took part in a two week work placement at The National Museum Cardiff to work on a project called Saving Treasures; Telling Stories. I wasn’t too sure what to expect as a journalism student or how working at a museum could help enhance my journalistic skills, but I was ready to explore new ways of researching and writing stories and was pleasantly surprised with just how hands-on the placement was.

Saving Treasures; Telling Stories made me realise how I can help bring history to life through researching around archaeological finds and discovering that every item has a past and story to tell.

The first day was an introduction to the department and a chance for us to find out more about the project itself as well as the role of The Portable Antiquities Scheme in Wales to find out how that fits into the Saving Treasures; Telling Stories Project. I was fortunate enough to have a look around, almost a behind the scenes tour, to see some of the interesting finds that weren’t currently on display. I also got to get a close up view as to what was going on the conservation laboratory as I watched the conservators in action!

So where does journalism come into it all?

During my two weeks I conducted phone interviews with curators, archaeologists and metal detectorists before having to transcribe these and write up blogs and articles. We also had the opportunity to film on location at Pontypool Museum and talk to someone whose recent treasure find is now going to be displayed at the museum for the first time. I wrote press releases covering upcoming events and even was invited to attend an oral history interview training course to learn different interview techniques and skills.  

From camera work to interviewing there was never a dull moment and I found myself busy each day.

The placement has inspired me to be more creative with my journalistic skills and to think outside the box, I didn’t know from my first day how I would be able to bring archaeology to life and create current and relevant stories in the public interest.

Overall this experience has made me aware that archaeology evokes important questions that hadn’t crossed my mind before. Items and stories I have worked on during my time at Saving Treasures; Telling Stories make me wonder- Where did this come from? What importance does that piece of history hold? But more interestingly it makes you imagine what life was like during that time period, it's almost as if you are time travelling.