: Casgliadau ac Ymchwil

From 6 to 10 February there will be a week long colouring-fest happening on social media.

Led by the New York Academy of Medicine Library, who first launched the campaign last year, libraries, archives, and museums around the world are sharing free colouring sheets based on materials in their collections. Users are invited to download and print the sheets and share their filled-in images on social media, using the hashtag #ColorOurCollections (because the campaign launched in America most institutions are using the American spelling of colour!). Last year, more than 210 libraries and cultural institutions participated.

So for this year we have put together a small colouring book based on a few of our favourite rare books from the Willoughby Gardner collection on early natural history.

Download the book

–  and let us see your creative skills!

Post images of your coloured pages on social media with the hashtags #lliwioeincasgliadau or #colorourcollections and tag us in @Amgueddfa_Lib

And don’t forget to check out which other institutions around the world are taking part using the #colorourcollections hashtag or visiting the website of the New York Academy of Medicine

Happy colouring!!

I have been specialising in a group of marine bristleworms called magelonids for the last 17 years. Magelonids are known as shovelhead worms due to their distinctive spade-like heads that they use to dig in the soft sediments in which they live. Shovelhead worms have a world-wide distribution, generally living in shallow waters, although a few deep water species are known. I study the taxonomy of the group - a branch of science concerned with the classification of all living things, involving describing species, some which may be new to science. Principally I have worked on specimens from Europe, the Indian Ocean and the seas surrounding the Arabian Peninsula. However, more recently I have also been studying the behaviour of this fascinating group, investigating how they feed, burrow and move etc.

I was invited to colloborate with the University Museum of Bergen (UMB), Norway back in 2013 to work on shovelhead worms from Western Africa. The project, The Marine Invertebrates of Western Africa aims to investigate seabed samples from the West African continental shelf from Morocco to Angola. Very little is known about the shovelhead worms of this region, with only three species currently described, all from South Africa. Therefore I visited the lab at UMB to work with the team back in 2015 on MIWA material. The results from that trip were very exciting and approximately 20 different species of shovelhead worms were found in the material, many of which were likely to be new to science. Whilst work on these specimens carried on back at National Museum Cardiff, it was felt that it would be beneficial to re-vist Bergen to carry on the colloborative work. So consequently UMB invited me back to work with them once more this January. So for the last two weeks I have been studying more material from the region in order to find specimens for DNA analysis. DNA (Deoxyribonucleic acid) is found inside every cell of every living thing and is different in every individual. We can use DNA analysis to see the difference between very similar looking animals and thus we can see whether animals belong to the same or different species. We can then compare this information to what the species looks like (morphology). We have now selected 74 specimens which will be sent off for DNA sequencing and hopefully the results from that will come back shortly.

In the mean time work will begin on drawing, describing and imagining all the shovelhead worms from Western Africa. It is likely that there will be many new species within these samples, so we will need to decide on names for all of them and these will then be published in scientific papers. Once published this information will be used for example, by people monitoring the health of the seabed within this region.

To read more about the work on MIWA shovelhead worms click here 

One of the great things about being a museum curator is that I am always learning new things on the job. I have been a museum curator for 15 years.  In this time, my job has been to care for the mollusca collections but I have also now taken on the role of overseeing the care of the vertebrate collections. This has meant a whole raft of new things to learn and deal with, the least of which being that the animals all have backbones!

I was recently asked on behalf of the Sawfish Conservation Society (SCS) to investigate what sawfish rostra we have in our collections. So what is a sawfish? And what is a rostrum? Sawfish are incredible. They live in tropical and sub-tropical waters across the world. Also known as Carpenter sharks, they are in the same family as stingrays, electric rays and skates. Their characteristic feature is a long narrow nose extension called a rostrum which is lined with sharp teeth. These run down the length of the nose giving it the appearance of a saw.  To make this nose extension all the weirder, it is covered with electro sensitive pores that allow the sawfish to detect the smallest of movements on the sea floor. Little is known about the wild feeding strategies of sawfish, but it seems they skim the surface of the muddy sea floor looking for fish and crustacea, the way we might swish around a metal detector. The rostrum can be also be used to slash and impale anything that might be passing!

It is mostly due to this excellent nose that all sawfish species are listed as endangered or critically endangered. Seen as a curiosity, these sawfish rostra were prized by collectors. Overfishing and habitat destruction have had a devastating impact upon sawfish numbers, they have disappeared from at least 80-90% of the areas they once inhabited. They are now protected in a large number of countries making it illegal to harm them or trade in the removed saws.

The SCS has come up with a plan to help us better understand these amazing animals. They are partnering with researchers and institutes from around the world, which in the UK includes the Deep Aquarium and The Shark Trust, to launch the ‘See a Saw’ Citizen Science Sawfish Project.  Although the removal of saws has had a negative impact on their populations, researchers want to turn this negative into a positive. By using these saws to learn important information about them, they can then be used to conserve the remaining populations. They have the added bonus that the rostra are much easier to measure if the sawfish is not attached!

So with this in mind, I met with Al Reeve and his volunteer Sharon Williams from the South East Wales Biodiversity Records Centre (SEWBRec). Al is an avid elasmobranch enthusiast and it is through him that the enquiry first reached me. We set about photographing, measuring and counting the teeth of a whole series of rostra from the collections. It was an amazing experience to handle these specimens and to learn so much from Al about this group of animals. In the future, we may also be taking tissue samples from these rostra to send on to researchers for analysis. I quote Jeff Whitty, Founder and co-administrator of SCS to explain why:

"The data and tissue samples will be used in multiple international studies to further sawfish management and conservation. Sawfish have been suggested to be the most threatened shark or ray in the world and yet we know little about them, which makes conserving the remaining populations difficult. The morphometric data that you provided will help us improve our identification guides of sawfish and will provide us with a better understanding of the distributions of these species. The tissue samples from the rostra will be used by multiple genetic studies that are exploring the differences in the genetic diversity between historic and contemporary populations of various sawfish species. Information from these genetic studies will allow us to better understand if genetic diversity in current populations have declined or remained steady through the years and thus will inform managers if genetic health of a sawfish species or population is a topic of concern."

It is an unbelievably rewarding experience to know that this work can in a small way contribute to the conservation of this most endangered and enigmatic animal. We are often asked why we hold collections in museums. What good can come out of preserving animals? Why would we want to keep such a negative reminder of the wildlife that we have slaughtered on mass in our past? And we can answer that some good can come out of it. To conserve, to learn, to educate, to enthuse, and to help us do things better in the future. It is a great job that I am privileged to hold.

You can learn more about Sawfish by going on the Sawfish Conservation website. You can find out more about the Sawfish project and who else is involved here, or watch this video about measuring saws.

A few years ago, while researching the history of St Fagans Castle during the First World War, I came across a number of oral history interviews in the Sound Archive with former tenants of the Plymouth Estate. The recordings were made in the 1970s and 1980s with people who had, for the most part, lived all their lives in St Fagans village. Although very few of the recordings yielded information relevant to my research, they did provide a vivid insight into the workings of the estate during the first half of the twentieth century, when village life revolved around the Castle and its owners – the Earl and Countess of Plymouth. With Christmas almost upon us, I thought I'd use my last blogpost of 2016 to share some of the villagers' recollections of Christmas at St Fagans in the early 1900s. Nadolig llawen!

Christmas beast

Alexander ‘Bert’ Warden, born in Cirencester in 1910, moved with his family to St Fagans as a child. In an interview with the Museum in 1979, he remembered distributing meat to the villagers at Christmas:

Penhefyd Farm was the home farm in those days. Of course, the Plymouth people kept cattle there and all the rest of it. At Christmas time, they’d have a beast and it would be slaughtered, cut up into various chunks and each family in the village was allowed so much – I think it was about 5lb for a man, and 3lb for his wife and so much for each child. Now that was delivered around for the villagers by workmen from the estate. I did it myself when I was a boy. That was one of the Christmas boxes from the Plymouth Estate. Also a couple of rabbits – each person had a couple of rabbits and a load of logs. [6020/1]

Mary Ann Dodd, a housemaid for the Plymouth family at the turn of the century, remembered using the Christmas beast to make soup for the villagers. In the early 1960s, at the age of 96 and living at the Grange Home for the Blind in Hereford, she wrote an essay for the Museum about her 30 years working at St Fagans Castle:    

Every Christmas two animals were killed, and her Ladyship told Mrs Cousins to use the heads, legs and offal for soup. This was supervised by the Lady herself and was made in my biggest copper saucepan. It was so big I could almost stand in it. The Housekeeper put in the salt and seasoning, and my Lady was keen on plenty of parsley, and all five kitchen maids and myself prepared the vegetables. We cleaned celery, carrots and leeks. Once they knew that the soup was ready, the village folk came from breakfast time on with jugs and basins and all manner of things and they were all provided with meat and soup. [MS 1293]

Children’s party

Another festive tradition remembered with fondness was the children’s Christmas party. This was held in the Banqueting Hall – a large pavilion in the Castle grounds – before the end of the school term. Jessie Warden (née Mildon), who was born and brought-up in the village, described it as one of the 'perks' of living on the estate:

We were always a jolly lot. Lord Plymouth, every year, gave every child in the whole of the school – there could be a 100, there could be 50 – a Christmas party in the Banqueting Hall. Everything from the jelly to the Christmas presents at five shillings per child was paid by Lord Plymouth. And that was wonderful. It was a real Christmas party paid for by Lord Plymouth. There was a huge Christmas tree with your presents on the tree. Lady Plymouth was usually there and would give to the boys and Lord Plymouth would give to the girls. And they’d have a man with a ladder to get your particular present off the tree. The tree would then go to the Cardiff Royal Infirmary. [6020/1]

Mari Lwyd

Jessie Warden also recalled her childhood fear of the Mari Lwyd – a seasonal custom practiced without the patronage of the Plymouth Estate:

They had a Mari Lwyd every year. The Mari Lwyd used to come and that was a chap from Pentyrch, and there was one from Ely. There was one from the village, but then when he finished, his relatives in Ely came out in my day. When I was about ten. I can remember the Mari Lwyd. We were always petrified! The responses etc. were always in Welsh. [6020/1]

In 1933 the Museum acquired a Mari Lwyd for the collection from Thomas Davies of Pentyrch who would perform for one week either side of Christmas. At the time, the curator noted that he had been travelling with the Mari for 35 years and had connections with St Fagans. He probably visited the young Jessie Mildon and her family.

If you have read any of the recent blog posts about the Saving Treasures; Telling Stories Project, or the Lost Treasures of Swansea Bay Project and its various exciting activities, you will know that Saving Treasures works with metal detector groups and local museums in Wales to widen access to, and understanding of, the material heritage of Wales.

What is material heritage?

Material heritage is the physical remains of the past, the objects left behind by past societies. Often, these are brought to light by members of the public, mainly metal detectorists, who report their significant finds to their local Finds Liaison Officer in order that they can be recorded on the Portable Antiquities Scheme database.

Taken together, these objects – especially when they are made available to the public in museum collections – help to build up a picture of how we used to live and who we used to be.

Why is it important?

The Saving Treasures; Telling Stories Project recognises that interaction with the history of your local area through the objects past communities left behind can be a powerful and enriching experience.

For those who are interested in the past, having access to the actual things that long-dead people used, wore and handled can bring us into contact with them much more directly than a history book ever could.

Every object has a story to tell

The discovery of a lost mourning ring or a hoard of Bronze Age axes tells us something about the people who used such objects and raises questions about how they came to be in the ground. Were they lost, discarded, or put there deliberately? And if so, why?

Thinking about these questions allows us to empathise with our forebears, understand something of their hopes, fears and concerns, and walk a little way in their shoes.