Mae’r arddangosfa rad ac am ddim i’w gweld yn Amgueddfa Genedlaethol y Glannau, Abertawe, rhwng 12 Mawrth a 17 Gorffennaf 2022.

Mae Trawsnewid yn datgelu ac yn dathlu hanes queer Cymru a newid cymdeithasol. Daw'r gwrthrychau yn yr arddangosfa o gasgliad LHDTQ+ Amgueddfa Cymru yn Sain Ffagan Amgueddfa Werin Cymru, a'u cyflwyno gyda naratif newydd sbon ochr yn ochr â gweithiau celf queer Cymreig. Gall ymwelwyr gamu i'n gorffennol – gorffennol sy'n aml yn cael ei anghofio – a gweld sut mae'r frwydr dros newid cymdeithasol yn parhau hyd heddiw. Gyda gwrthrychau queer hanesyddol, o ddiwedd y 1700au hyd y pandemig presennol, mae amrywiaeth eang o gymunedau, hunaniaethau a mudiadau yn cael eu cynrychioli yn yr arddangosfa.

Dewiswyd y gwrthrychau sy'n cael llwyfan yn yr arddangosfa gan gyfranogwyr project Trawsnewid. Pobl ifanc yw'r rhain sy'n cynnal ac yn mynychu gweithdai sy'n trafod hanes a diwylliant pobl LHDTQ+ Cymru, ac maen nhw wedi cydweithio i ddatblygu thema'r arddangosfa, sy'n canolbwyntio'n bennaf ar gelf a chreu queer. Dros sawl wythnos mae'r bobl ifanc wedi mynd drwy'r casgliad a dewis y darnau sy'n sefyll allan fel conglfeini pwysig hanes queer Cymru.

Yn rhan o'r arddangosfa mae casgliad o weithiau newydd gan rai o'r gwirfoddolwyr. Mae pob gwaith wedi'i ysbrydoli gan agwedd ar hanes queer Cymru, boed yn eitem o'r casgliadau LHDTQ+ neu'n gymuned o'u cwmpas. Drwy gyfuno myrdd o gyfryngau artistig mae nhw'n taflu goleuni heddiw ar yr hanes anghofiedig hwn.

Bydd cyfle hefyd yn yr arddangosfa i weld Cabaret Queer – cyfres o ffilmiau byr gan gyfranogwyr Trawsnewid yn trafod eu profiadau, eu cysylltiad â Chymru, a'u hunaniaeth queer. Mae'r Cabaret i gyd i'w weld ar YouTube, ond yn yr arddangosfa gallwch chi ei fwynhau wrth ymgolli yn yr hanes a'r diwylliant sydd wedi'i gasglu a'i guradu gan bawb ym mhroject Trawsnewid a'r casgliad LHDTQ+.

I plunge my face into the leaf litter on the forest floor and take in the earthy aroma: a sweet mix of damp decay and mossy greens. Have I gone mad? Quite possibly, but no more than most; stuck in a modern world that doesn’t quite make sense, worried too much about too many things, and rarely remembering to stop, look up and breathe. Down here, hidden in this hollow, under a canopy of gently swaying oaks, cheek pressed into the dark rich soil, I actually feel more normal than I have in a while.  

Truth is, I woke up fairly miserable this morning.  Sadly, it’s not uncommon, and frustratingly, it’s often not clear why, or what has caused it. As a result, I tend to focus on what I can control and change. Sometimes, that means a change of scene.  

Nature Connectedness and the Wheel of Wellbeing 

Recently, since working on the Winter of Wellbeing Programme (WoW), it has got me thinking more about what makes me well. At the same time, separately, I have been reading a lot into the power of Nature Connectedness. So, with both of these in mind, I wrapped myself up and headed to the nearest clearing of trees. I am fortunate to have this on my doorstep.  

‘Nature Connectedness’ is the sort of thing that is easy to dismiss as a bit ‘flowery’, but there is an increasing body of evidence showing the restorative power of Nature, the value of access to nature, and crucially, the importance of feeling a connection with nature. In fact, there is a whole research group at the University of Derby working on just this.

As part of the WoW project, we have been using the ‘Wheel of Wellbeing’ as a way of understanding and measuring the elements that make us feel well: Body (be active), Mind (keep learning), Spirit (give), People (connect), Place (take notice), Planet (care). It became clear to me that each of these elements can be nourished through time in nature, something I am keen to explore through the WoW project, as well as through my own forays into the forest!  

The benefits of a connection to Nature  

Nature is a profound teacher and healer, and a sanctuary for those fortunate enough to access and connect with it. When you spend time in Nature, it almost instantly creates a physical change in you - reducing levels of stress, lowering blood pressure, helping you focus and concentrate - as well as a number of other tangible and well documented positive effects, especially around mental health. 

These benefits are amplified the more we feel a connection to Nature.  Sadly, for many, Nature remains hidden or unnoticed, and their feelings of connection hang by a thread. This is particularly true amongst young people, especially teenagers, where there is a natural dip in connection with nature, just when they might benefit most from the improved physical and mental health associated with Nature connection; to free themselves from social anxieties and find some identity, security and meaning in the otherwise manic world around them.  

Five pathways to connection  

A crucial step, of course, is finding a ‘way-in’ for young people, both physically and emotionally. Many don’t have easy access to nature in the first place, or have little interest, even if they are surrounded by it. Meaningful and lasting connections can’t be forced. They must be made in our own time and in own way. Yet, there are a few things that can be done to facilitate and encourage this.  Even urban environments are bursting with life, which means you don’t have to be in a forest or beautiful flower meadow for Nature to cast its spell. Sadly, most of us have lost the knack of noticing, so rarely dedicate time to truly see and appreciate Nature.   

To help open up our eyes and minds, and bring us closer to nature, the University of Derby have developed 5 pathways to greater connection (https://www.derby.ac.uk/blog/5-ways-closer-nature/): 

• Contact – multisensory, tangible experiences 

• Beauty – Engaging with the aesthetic ‘awe-inspiring’ qualities of Nature.  

• Meaning - thinking about the meaning and signs of nature and what they mean to individuals.  

• Emotion – Finding and exploring emotional bonds with, and love, for nature 

• Compassion - Extending the self to include nature, leading to moral and ethical concern 

These were consistently found to be important and effective at making people feel closer to nature, which makes them useful for individuals, educators and practitioners when thinking about the sort of activities and exercises that will create connection with Nature. 

The Natural Health Service 

Even amongst those who would consider themselves connected to Nature, like myself, it is all too easy to forget to nourish it, to go back to the source and refresh now and again. Perhaps we need to view it as less of a luxury and more of an essential part of our human existence, where we are part of Nature rather than separate and sanitised. That is why it is great to see moves towards green social prescribing in the NHS, including research and pilot projects in Wales.

With all of this in mind, back in the middle of my own mini wellbeing crisis, it is tempting to stay a little longer here in this earthy embrace, let a few more winter leaves fall and settle on my back. By the time I finally pull myself up and dust myself down, I have totally lost track of how long I have been here and realise I should probably get back - I’ve still got work to do after all! But now, at least, with moss in my hair and flecks of mud on my cheek, I feel in a slightly better state to tackle it.  

Ymunwch â ni am Derfysg Digidol! Geithdy cyffrous am ddim sy'n dathlu drag a hunaniaeth rhywedd  a'i ymwneud â hanes protest Cymru.

Mae'r prosiect hwn, a ysbrydolwyd gan hanes Merched Beca, yn archwilio hunaniaeth fel rhan o brotest.

Bydd 'Terfysg Digidol' yn anelu at wneud hyn drwy gynnal gweithdy i bobl ifanc rhwng 10 a 14 oed yn Sain Ffagan Amgueddfa Werin Cymru.

Bydd y diwrnod yn cael ei rannu'n dair rhan:

• Dyluniwch eich bathodyn protest eich hunain
• Gwnewch arwyddion protest wedi'u hysbrydoli gan hanes y Merched Beca
• Ac yn olaf, yn gwisgo ein bathodynnau ac yn defnyddio ein harwyddion protest byddwn yn ymweld â'r tolldy yn Sain Ffagan i lwyfannu a thynnu lluniau ein mini-terfysg Merched Beca ein hunain

Bydd cyfranogwyr y gweithdy hwn hefyd yn derbyn 'Pecyn Celf' wedi'i lenwi ag adnoddau.

Cynhelir y gweithdy am ddim yma am 12-2pm ar 12 Mawrth 2022. Gall cyfranogwyr ymuno naill ai yn Sain Ffagan yn bersonol neu'n ddigidol dros Zoom. I archebu eich lle cysylltwch â info@galeriesimpsonswansea.com

Mae Terfysg Digidol yn brosiect a ddyfeisiwyd gan yr artist Abigail Fraser ar gyfer y rhaglen allgymorth cymunedol 9-90 gan artistiaid GS Abertawe, fel rhan o Geaf Llawn Lles, a ariennir gan Llywodraeth Cymru.

Mae dylunio mynegeiol yn bodoli o'n cwmpas ni! Mae'n cofnodi'r rhyngweithio rhwng gwrthrychau, gan ddogfennu'r weithgaredd dan sylw. 

Cymerwch olwg ar y darlun hwn gan yr artist Olafur Eliasson. Fe'i creodd allan ar y môr yn ei gwch trwy drochi pêl mewn inc du. Gadawodd iddo rolio ar draws y papur er mwyn cofnodi’r tonnau a symudiadau'r cwch ar draws y cefnfor. 

Beth am greu eich darlun arbrofol eich hun? 

Mi fyddwch angen: Beiro, darn o linyn, pad braslunio. 

1. Clymwch y darn o linyn (neu beth bynnag rydych yn ei ddefnyddio) i'r beiro neu bensil.   

2. Clymwch ben arall y llinyn i gangen coeden. (tip – mae canghennau tenau yn symud dipyn mwy na rhai tewach)  

3. Rhowch ddarn o bapur o dan y beiro a gosod amserydd am ba bynnag faint o amser yr hoffech adael y beiro symud (fe wnaethon ni amseru am 10mun)  

4. Gwyliwch y gwynt yn chwythu drwy’r canghennau gan adael patrwm y gwynt ar y darn papur. 

5. Canlyniad: Darn o gelf  wedi ei greu gan natur 

Mae'r lluniau yma i gyd wedi cael eu tynnu wrth i fi geisio creu dyluniad arbrodol fy hun, gan ddarlunio symudiad coeden yn ystod gwynt storm Corrie. 

Mae modd dilyn symudiad y cynghennau ar y papur - pan mae'r marciau yn dew rydym yn gwybod bod cyfnod o lonyddwch, pan mae'r gwynt yn chwythu wedyn mae'r llinellu hynny fwy tennau. 

Rhannwch eich dyluniadau hefo ni, tagiwch ni ar Instagram neu Facebook gan ddefnyddio #gaeafllawnlles

The custom of sending Valentines is hundreds of years old, but the tradition truly thrived during the end of the eighteenth century and nineteenth century. The improvement in postal services and printing methods during this period, made it easier than ever to celebrate Valentine’s Day.

The Evening Express in 1885 stated that when the trade was its best, between 1860 and 1880, the public spent a quarter of a million pounds annually upon valentines. It reports that at least 5,000 people, mostly girls and women, were employed in valentine factories, at wages ranging 10s to 18s per week.

Here at St Fagans we have a rather large collection of Valentine Cards dating from this period. Many are elaborate, adorned with cupids, satin ribbon, delicate lace or miniature flowers.

But surprisingly some are of complete contrast to these romantic and sentimental Valentine cards. Several from the collection, feature an ugly comic caricature, with humorous yet rather abusive verses beneath, clearly intended to cause offence.  These cards were referred to as 'Comic Valentines', and their history has largely been forgotten.

The card in the middle right, from our collection at St Fagans National History Museum, is a perfect example of a typical comic valentine card. It shows a rather ugly, dramatic caricature of a woman crying with the following verse beneath:

Tired of your lonely state,
Longing for another male,
But this fact pray understand,
Men don’t like Women second hand.

These particular kind of cards become incredibly popular during the mid-nineteenth century.

The Cardiff and Merthyr Guardian  reported on the 14th February, 1846:

St. Valentine’s Day is now almost everywhere a degenerated festival, the only observance of any note consisting in the sending of anonymous letters, by way of practical joke, and this confined very much to the humbler classes….Each generally consisting of a single sheet of paper, on the first page of which is seen some ridiculous coloured caricature of the male or female figure, with a few burlesque verses below.

The anonymity aspect of sending a Valentine’s card would have made these racy cards appealing. They were also affordable to buy and to send, as they were printed on a single sheet of paper, unlike the more elaborate romantic cards.

Despite their huge popularity, the demand was short lived, and by the late 1800s, Wales and Britain's love of comic Valentines was over.  The late Victorians viewed the cards as malicious and vulgar and demand for a return of moral values, politeness and decency.

Valentines, whether sentimental or comic, have come to be voted common place – not to say 'vulgar'. The Aberystwyth Observer, 21 February, 1885.