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Lady Somerville's Maidens

ORCHARDSON, William Quiller (Orchardson studied at the Trustees' Academy in Edinburgh along with Thomas Faed, James Archer and Robert Herdman. He also studied there later under Robert Scott Lauder when his fellow pupils included John Pettie, Thomas Graham, John MacWhirter and Peter Graham with whom he formed a circle in London from 1862. Orchardson's early work, which was influenced by David Wilkie, included historical genre and literary subjects from Shakespeare, Walter Scott and Charles Dickens. He later turned to cavalier and Regency costume pieces and to psychological dramas of contemporary upper-class life, e.g. Le Mariage de convenance (1883; Glasgow Art Galleries and Museums). He also painted portraits and worked as an illustrator for magazines such as Good Words. Like JW, Orchardson painted in muted colours and his thinly applied paint was often considered sketchy and unfinished by contemporary critics. However, he was admired by JW, and in turn Orchardson considered JW to be a great artist. He travelled to Venice in 1870, a decade before JW was to make the trip, and again in 1873 on his honeymoon, there painting Venetian genre subjects. In 1889 Orchardson sat on a committee headed by W. C. Symons which was set up to organise a dinner to congratulate JW on being made an Honorary Member of the Royal Academy of Munich, a dinner which was to be held at the Criterion in Piccadilly on 1 May 1889 (#05636). On the occasion of this dinner Orchardson was amongst those who stood up and gave a speech in JW's honour (#09656). In 1891 Orchardson's help was enlisted for a petition to secure JW's Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle for the city of Glasgow. Orchardson exhibited at the Royal Academy from 1863, as well as at the British Institution, Grosvenor Gallery and New Gallery. He was elected an associate of the Royal Academy in 1868, becoming a full member in 1877. In 1871 he was elected an honorary member of the Royal Scottish Academy, in 1897 a member of the Royal Society of Portrait Painters and in 1900 an honorary member of the Royal Miniature Society. He was a member of The Arts Club from 1866 until 1909. He was knighted in 1907.)
BORDERS, F
Strahan, A & Co.
(Nid oes modd darparu delwedd o'r gwaith celf hwn ar hyn o bryd. Mae hyn naill ai oherwydd cyfyngiadau hawlfraint, neu oherwydd bod y ddelwedd yn aros i gael ei digideiddio. Ymddiheurwn am unrhyw anghyfleustra a achosir gan hyn.)

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Celf

Rhif yr Eitem

NMW A 27822

Creu/Cynhyrchu

ORCHARDSON, William Quiller
BORDERS, F
Strahan, A & Co.
Dyddiad: 1860 –

Derbyniad

Gift, 28/4/1969
Given by H. Farr

Mesuriadau

h(cm) image size:12.4
h(cm)
w(cm) image size:9.9
w(cm)
h(cm) primary support:23.8
h(cm)
w(cm) primary support:16
w(cm)

Techneg

wood engraving on paper
wood engraving
Relief printing
prints
Fine Art - works on paper

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Paper
ink

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Categorïau

Gweithiau ar bapur | Works on paper Celf Gain | Fine Art Ffurf benywaidd | Female figure Plentyn | Child Bywyd teuluol | Domesticity
Nid yw sylwadau ar gael ar hyn o bryd. Ymddiheuriadau am yr anghyfleustra.

Eitemau cysylltiedig

Celf

"Don't ask any questions. The subject is very painful"

BARNES, R
SWAIN, Joseph
Strahan, A & Co.
NMW A 27818
Mwy am yr eitem hon
Celf

The Parable of the Leaven

MILLAIS, Sir John Everett (1829-1896)
DALZIEL Bros.
Strahan, A & Co.
NMW A 27795
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Celf

The Aspen

WATSON, J.D
DALZIEL Bros.
Strahan, A & Co.
NMW A 27802
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Celf

La Couture

BELLEROCHE, Albert Gustavus, Count de (1864-1944)
NMW A 27458
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Map o'r Wefan

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