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Fy nghyfrif

Casgliadau ac Ymchwil

Adrannau Casgliadau Arlein Canolfan Gasgliadau Cenedlaethol

Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Testun rhydd

Rhif yr Eitem

Adnabyddiaeth

Pwnc

Artistiaid/Creadur

Lle

Categori

Cofnodion â delweddau yn unig

Nôl i Ganlyniadau

[No title]

JOHN, Augustus (Artist)

Pwnc

Celf

Rhif yr Eitem

NMW A 1996

Creu/Cynhyrchu

1878-1961

Rôl: Artist

Cyfnod: 1940 ca

Derbyniad

Purchase, 11/9/1972

Lleoliad

In store

Categorïau

Paentiad | Painting Celf Gain | Fine Art 29_CADP_Aug_23 CADP content CADP Phase 2 Portread wedi'i Enwi Bachgen Teulu Ôl 1900 Cysylltiad Cymreig

Nid yw sylwadau ar gael ar hyn o bryd. Ymddiheuriadau am yr anghyfleustra.

Eitemau cysylltiedig

Celf

<p>Un llun yw hwn o grŵp o bortreadau a gomisiynwyd gan y diwydiannwr Francis Crawshay yn y 1830au. Mae pob un o’r gweithwyr – dynion i gyd – yn grefftwyr a gwŷr di-grefft o weithfeydd dur Hirwaun a gweithfeydd tunplat Trefforest. Peth anghyffredin oedd i un o gewri diwydiant gomisiynu portreadau unigol o’i weithwyr, ond nid diwydiannwr cyffredin oedd Francis Crawshay. Adeiladodd fwthyn bychan i’w hun yn hytrach na byw ym mhlasty’r teulu, a doedd dim diddordeb ganddo yn arferion busnes y Crawshays: cwynai ei dad ei fod yn gwario arian fel y dŵr. Ef oedd unig siaradwr Cymraeg y teulu, a byddai’n fwy tebygol i chi ei weld yn rhannu sgwrs gyda’i weithwyr nag yn eu gorchymyn. Enw hoffus y gweithwyr amdano oedd ‘Mr Frank’. Ddechrau’r 1830au cymerodd Francis yr awennau yng Gweithfeydd Dur Hirwaun, a brynwyd gan ei dad ym 1819, a’r gweithfeydd tunplat newydd yn Nhrefforest. Comisiynwyd portreadau’r gweithwyr oddeutu 1835, ac maent wedi’u priodoli i’r artist teithiol W J Chapman. Arhosodd y set ym meddiant y teulu Crawshay drwy ewyllys, ac mae’n bosib bod mwy yn wreiddiol – mae cofnod o un arall sydd bellach ar goll i bob tebyg.</p>

Artist: CHAPMAN, W. J. (attributed to)

(1835-1840)

NMW A 29937

Celf

<p>The only son of Colonel Thomas Beach, a Jamaican plantation owner who adopted the name of de la Beche, the sitter was intended for the army, but was expelled from the military college at Great Marlow. His interest in Geology probably stemmed from acquaintance with the fossil collector Mary Anning, whom he met in 1812. He married in 1818, and spent the next few years travelling on the Continent and in the West Indies. This picture may have been painted during a visit to Rome in 1829, when he sat to an unidentified artist called Saulini.</p> <p>Elected a Fellow of the Royal Society in 1819, he first carried out fieldwork in Pembrokeshire in 1822, and was secretary of the Geological Society in 1831-2. He was appointed Geologist to the Trigonometrical Survey of Great Britain (now British Geological Survey), and settled temporarily in Swansea in 1837, and the following year his daughter Bessie married Lewis Llewelyn Dillwyn. Knighted in 1842, he ws honorary director of the Jermyn Street museum of Practical Geology, and President of both the Geological and Paleaontographical Societies. De la Beche was a member of numerous foreign societies and academies, and corresponded with many prominent scientists of the day. Many of his papers were given to the NMGW's Department of Geology in the 1930s by the descendants of Bessie and Lewis Llewelyn Dillwyn.</p>

Artist: ITALIAN SCHOOL, 19th century

NMW A 13894

Celf

<p>This portrait of de la Beche in his forties shows him as an early Victorian man of science. It can be compared with an enamel portrait by H P Bone (engraved 1848) and with a bust by E H Baily of around 1845 (plaster reduction in Department of Geology). The books behind him include 'Survey West of England' probably for his 'Report on the geology of Cornwall, Devon and West Somerset', published in 1839. He was an accomplished draughtsman, and he holds a portfolio containing geological sections.</p>

Artist: CRAIG, Alexander

NMW A 13895

Celf

[No title]

Artist: CRISTA, Heloise

NMW A 314