[No title] - Casgliadau Arlein | Museum Wales
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[No title]

BRANGWYN, Frank William (Artist)
[No title]
Delwedd: © Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
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Celf

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NMW A 1778

Creu/Cynhyrchu

BRANGWYN, Frank William
Brangwyn was born in Bruges to an Anglo-Welsh father and Welsh mother from Brecon. The family moved back to Britain and by the age of fifteen Brangwyn was studying under designer and socialist William Morris. As he became successful as a painter, etcher and lithographer, Brangwyn began to travel widely across the world. He had an international reputation at the time of the First World War and was a member of the Senefelder Club, which promoted the medium of lithography.
Rôl: Artist

Derbyniad

Gift, 17/2/1932

Mesuriadau

Uchder (cm): 68.4
Lled (cm): 38.7
Uchder (in): 26
Lled (in): 38
h(cm) plate size:60.0
h(cm)
w(cm) plate size:72.6
w(cm)
h(in) plate size:23 5/8
h(in)
w(in) plate size:28 5//8
w(in)

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Etching on paper
Etching
Intaglio printing
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Fine Art - works on paper

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Lleoliad

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Printiau | Prints Gweithiau ar bapur | Works on paper Celf Gain | Fine Art 08_CADP_Nov_21 Diwydiant Gweithgynhyrchu Pont Llong a chwch CADP content
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Eitemau cysylltiedig

Celf

Pont Charing Cross

Artist: MONET, Claude
(1902)
NMW A 2483
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Celf

<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>

Artist: SMITH, John "Warwick"
(1785)
NMW A 3199
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Celf

[No title]

Artist: EVERITT, Alan E.
NMW A 17575
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[No title]

Artist: AMES, Jeremiah
NMW A 1911
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