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Fy nghyfrif

Casgliadau ac Ymchwil

Adrannau Casgliadau Arlein Canolfan Gasgliadau Cenedlaethol

Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Testun rhydd

Rhif yr Eitem

Adnabyddiaeth

Pwnc

Artistiaid/Creadur

Lle

Categori

Cofnodion â delweddau yn unig

Nôl i Ganlyniadau Eitem Blaenorol Eitem Nesaf

[No title]

PHILLIPS, Tom (Artist)

Pwnc

Celf

Rhif yr Eitem

NMW A 18584

Creu/Cynhyrchu

1937-2022

Rôl: Artist

Derbyniad

Purchase, 3/10/1979

Mesuriadau

Uchder (cm): 23.1

Lled (cm): 39.3

Techneg

Mixed media on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Coloured inks

Watercolour

Pencil

Paper

Lleoliad

In store - verified by CT

Categorïau

Gweithiau ar bapur | Works on paper Celf Gain | Fine Art 08_CADP_Nov_21 Llenyddiaeth, Llên Testun CADP content CADP random Artistiaid y 21ain ganrif

Nid yw sylwadau ar gael ar hyn o bryd. Ymddiheuriadau am yr anghyfleustra.

Eitemau cysylltiedig

Celf

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

NMW A 56614

Celf

[No title]

Artist: KRAGULY, Radovan

NMW A 13692

Celf

[No title]

Photographer: KEETMAN, Peter

(1971)

NMW A 57661

Celf

<p>Defnyddiodd Keith Arnatt ei gamera, a gwybodaeth fanwl o hanes celf, i wreiddio gwrthrychau cwbl gyffredin ag ystyr newydd. Mae’r ffotograff hwn yn rhan o gyfres o ffotograffau a dynnwyd yn Howler’s Hill – safle tirlenwi ger Fforest y Ddena – sy’n dioddef yn sgil effaith ein cymdeithas taflu i ffwrdd. O dan olau cynnes min nos, mae'r pentyrrau o wastraff sy’n pydru yn dod yn rhywbeth trawiadol, a hardd hyd yn oed. Mae bagiau bin a bocsys cardfwrdd gorlawn, a goleuadau tylwyth teg wedi’u clymu, hyd yn oed, yn llawn holl emosiwn a mawredd paentiadau olew Baróc o'r unfed ganrif ar bymtheg.</p>

Artist: ARNATT, Keith

NMW A 14115