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Fy nghyfrif

Casgliadau ac Ymchwil

Adrannau Casgliadau Arlein Canolfan Gasgliadau Cenedlaethol

Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Testun rhydd

Rhif yr Eitem

Adnabyddiaeth

Pwnc

Artistiaid/Creadur

Lle

Categori

Cofnodion â delweddau yn unig

Nôl i Ganlyniadau

[No title]

ERWITT Elliott (Photographer)

Pwnc

Celf

Rhif yr Eitem

NMW A 55615

Creu/Cynhyrchu

Rôl: Photographer

Lle: Italy

Cyfnod: 1949

Derbyniad

Gift, 25/4/2017

Mesuriadau

h(cm) image size:14

h(cm)

w(cm) image size:14

w(cm)

h(cm) paper size:15.2

w(cm) paper size:15.1

Techneg

Digital Pigment Print

Deunydd

Paper

Lleoliad

In store

Categorïau

Ffotograff | Photograph Gweithiau ar bapur | Works on paper Celf Gain | Fine Art CADP content Pysgod a chreaduriaid morol Marchnad Bwyd a Diod Artistiaid y 21ain ganrif

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Eitemau cysylltiedig

Celf

<p>This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”</p>

Artist: BOSE, Fanindra Nat

(1913)

NMW A 287

Celf

[No title]

Artist: RIBOT, Augustin-Theodule

NMW A 2302

Celf

[No title]

Artist: SUTHERLAND, Graham Vivian

(1929)

NMW A 754

Celf

[No title]

Artist: MOUNT, Reginald

(20th century)

NMW A 24009