Label from '[un]seen [un]heard]' display intervention 2020: "Busts such as these, known as ‘specimen types’, were created by Europeans artists on their return from expedition trips to colonised parts of Africa. Ward created this with the culturally specific features of the Aruwimi people from the Congo superimposed onto the face of a black model based in France." Born in London in 1863, Herbert Ward left home at the age of 15 and began his world travels first to New Zealand and Australia, later to Borneo. In 1884 at the age of 21 he set out for the Congo. Following his return from Africa in 1889 Ward began a career as a writer and a popular lecturer about his Congo experiences. His lecture tours took him around the British Isles and to the US. In America he turned his attention to the fine arts. For much of his artistic career he lived and worked in Paris producing sculptures of African subjects inspired by his time in the Congo and his collection of artefacts from that region. After his death his wife donated his collection and many of his sculptures to the Smithsonian Museum. - Casgliadau Arlein | Museum Wales
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Label from '[un]seen [un]heard]' display intervention 2020: "Busts such as these, known as ‘specimen types’, were created by Europeans artists on their return from expedition trips to colonised parts of Africa. Ward created this with the culturally specific features of the Aruwimi people from the Congo superimposed onto the face of a black model based in France."

Born in London in 1863, Herbert Ward left home at the age of 15 and began his world travels first to New Zealand and Australia, later to Borneo. In 1884 at the age of 21 he set out for the Congo. Following his return from Africa in 1889 Ward began a career as a writer and a popular lecturer about his Congo experiences. His lecture tours took him around the British Isles and to the US. In America he turned his attention to the fine arts. For much of his artistic career he lived and worked in Paris producing sculptures of African subjects inspired by his time in the Congo and his collection of artefacts from that region. After his death his wife donated his collection and many of his sculptures to the Smithsonian Museum.

WARD, Herbert (Founder)
JABOEUF & ROUART (Founder)

Label from '[un]seen [un]heard]' display intervention 2020: "Busts such as these, known as ‘specimen types’, were created by Europeans artists on their return from expedition trips to colonised parts of Africa. Ward created this with the culturally specific features of the Aruwimi people from the Congo superimposed onto the face of a black model based in France."

Born in London in 1863, Herbert Ward left home at the age of 15 and began his world travels first to New Zealand and Australia, later to Borneo. In 1884 at the age of 21 he set out for the Congo. Following his return from Africa in 1889 Ward began a career as a writer and a popular lecturer about his Congo experiences. His lecture tours took him around the British Isles and to the US. In America he turned his attention to the fine arts. For much of his artistic career he lived and worked in Paris producing sculptures of African subjects inspired by his time in the Congo and his collection of artefacts from that region. After his death his wife donated his collection and many of his sculptures to the Smithsonian Museum.

<p>Label from '[un]seen [un]heard]' display intervention 2020:
"Busts such as these, known as ‘specimen types’, were created by Europeans artists on their return from expedition trips to colonised parts of Africa. Ward created this with the culturally specific features of the Aruwimi people from the Congo superimposed onto the face of a black model based in France."</p>

<p>Born in London in 1863, Herbert Ward left home at the age of 15 and began his world travels first to New Zealand and Australia, later to Borneo. In 1884 at the age of 21 he set out for the Congo. Following his return from Africa in 1889 Ward began a career as a writer and a popular lecturer about his Congo experiences. His lecture tours took him around the British Isles and to the US. In America he turned his attention to the fine arts. For much of his artistic career he lived and worked in Paris producing sculptures of African subjects inspired by his time in the Congo and his collection of artefacts from that region. After his death his wife donated his collection and many of his sculptures to the Smithsonian Museum.</p>
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  Chwyddo / Rhagor o ddelweddau (3)

Pwnc

Celf

Rhif yr Eitem

NMW A 308

Creu/Cynhyrchu

WARD, Herbert
1863 - 1919
JABOEUF & ROUART
Rôl: Artist
Rôl: Founder
Cyfnod: 1900 ca

Derbyniad

Gift, 1921

Mesuriadau

Uchder (cm): 40
Lled (cm): 25.5
Dyfnder (cm): 24.1
Uchder (cm): 11
Lled (cm): 25.5
Dyfnder (cm): 25.5
Uchder (in): 15
Lled (in): 10
Dyfnder (in): 9
Uchder (in): 4
Lled (in): 10
Dyfnder (in): 9

Techneg

Bronze on wooden base
Techniques (sculpture)
Fine Art - sculpture

Deunydd

Bronze
Wood

Lleoliad

on display

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Categorïau

Cerflun | Sculpture Celf Gain | Fine Art
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