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Fy nghyfrif

Casgliadau ac Ymchwil

Adrannau Casgliadau Arlein Canolfan Gasgliadau Cenedlaethol

Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Testun rhydd

Rhif yr Eitem

Adnabyddiaeth

Pwnc

Artistiaid/Creadur

Lle

Categori

Cofnodion â delweddau yn unig

Nôl i Ganlyniadau

[No title]

MOLE Arthur (Photographer)

Pwnc

Celf

Rhif yr Eitem

NMW A 55048

Creu/Cynhyrchu

Rôl: Photographer

Cyfnod: 1918

Derbyniad

Gift, 25/4/2017

Mesuriadau

h(cm) image size:33

h(cm)

w(cm) image size:25.6

w(cm)

h(cm) paper size:35.5

w(cm) paper size:28

Techneg

Gelatin silver print on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by BM

Categorïau

Ffotograff | Photograph Gweithiau ar bapur | Works on paper Celf Gain | Fine Art Milwyr Coffadwriaeth, Coffáu Dyn 20_CADP_Nov_22 CADP content

Nid yw sylwadau ar gael ar hyn o bryd. Ymddiheuriadau am yr anghyfleustra.

Eitemau cysylltiedig

Celf

[No title]

Artist: JOHN, Augustus

NMW A 18283

Celf

<p>Mae Diane Arbus yn fwyaf adnabyddus am ei phortreadau o bobl ar ymylon cymdeithas; fe ddywedodd unwaith, ‘mae yna bethau na fyddai neb yn eu gweld petawn i ddim yn tynnu eu llun.’ Byddai’n aml yn gwneud ffrindiau â’i thestunau, ac yn eu hannog i fod yn gyd-gyfranwyr bodlon yn y broses o lunio portread. Mae’r ffotograffau sy’n deillio o hynny’n archwilio’r berthynas gymhleth rhwng ymddangosiad, hunaniaeth a phortread. Cynhyrchwyd y ffotograffau hyn gan yr Arts Council Collection. Yn y dyddiau cyn ffotograffiaeth ddigidol, câi copïau o ffotograffau gwreiddiol eu dosbarthu i gylchgronau a phapurau newydd i hyrwyddo arddangosfeydd.</p>

Photographer: ARBUS Diane

(1967)

NMW A 55175

Celf

<p>DAVID, GIDEON and TOBY PETERSON Photo shoot: St. Clairs, 8th December 1999</p> <p>David Peterson became interested in working with metal in his first job at a Cardiff Steelworks. Now a leading artist, blacksmith and sculptor he owns the Myfryfa Peterson Studio Partnership with sons Toby and Gideon. From the steelworks he went to art college, before working for MGM on 2001: A Space Odyssey. he returned to Wales to teach at Newport and Dyfed art colleges but now runs the studio, which produces distinctive work, much of it rooted in Welsh life. The dragon on Welsh stamps, the Bafta Cymru statuette, the statue of Llewellyn ap Gruffudd at Llandovery and the Millennium Beacon are just some of their achievements.</p> <p>DAVID PETERSON Place and date of birth: Cardiff 1944 Main Occupation: Artist / Blacksmith First Language: English Other languages: French Lived in Wales: Always</p> <p>GIDEON PETERSON Place and date of birth: Newport 1971 Main Occupation: Artist / blacksmith First language: English Other languages: None Lived in Wales: Always</p> <p>TOBY PETERSON Place and date of birth: London 1966 Main occupation: Designer / metalsmith First language: English Other languages: Learning Welsh Lived in Wales: Always.</p>

Photographer: HURN David

(1999)

NMW A 56282

Celf

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

NMW A 56612