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Fy nghyfrif

Casgliadau ac Ymchwil

Adrannau Casgliadau Arlein Canolfan Gasgliadau Cenedlaethol

Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Testun rhydd

Rhif yr Eitem

Adnabyddiaeth

Pwnc

Artistiaid/Creadur

Lle

Categori

Cofnodion â delweddau yn unig

Nôl i Ganlyniadau

[No title]

PICHÉ, Roland (Artist)

Pwnc

Celf

Rhif yr Eitem

NMW A 2904

Creu/Cynhyrchu

b. 1938

Rôl: Artist

Derbyniad

Gift, 1980

Mesuriadau

Uchder (cm): 43

Meithder (cm): 29.7

Lled (cm): 23

Uchder (in): 17

Meithder (in): 11

Lled (in): 9

Techneg

Epoxy resin

Deunydd

Resin

Fibre glass

Lleoliad

In store

Categorïau

Cerflun | Sculpture Celf Gain | Fine Art 24_CADP_Mar_23 Cymdeithas Celfyddyd Gyfoes Cymru (CASW) Anghynrychioliadol CADP content CADP content Artistiaid y 21ain ganrif

Nid yw sylwadau ar gael ar hyn o bryd. Ymddiheuriadau am yr anghyfleustra.

Eitemau cysylltiedig

Celf

[No title]

Artist: SUTHERLAND, Graham Vivian

NMW A 4045

Celf

<p>abstract</p>

Artist: TINKER, David

(1950-1970)

NMW A 25717

Celf

[No title]

Artist: Ralph, MAYNARD SMITH

(1946)

NMW A 25972

Celf

<p>John Evan Thomas was born in Brecon and studied under Sir Francis Chantrey, practising as a portrait sculptor in London. He is the first Welsh sculptor to establish a significant career largely through Welsh patronage, producing statues of the 2nd Marquess of Londonderry (Westminster Abbey), the 2nd Marquess of Bute (Cardiff city centre) and the Prince Consort (Tenby). He also sculpted subjects from Welsh history, contributing a mediaevalizing statue of William, Earl of Pembroke for Pugin’s scheme for the rebuilt House of Lords in 1848. This sculpture depicts the death of Teudrig Mawr, saint and King of Gwent and Morgannwg, who died at the moment of victory over the Saxons at Mathern in around 630 AD. It has been described as a pietà composition, with the dying king cradled in the arms of his daughter Marchell, while a Bard, whose figure is taken from the famous de Loutherbourg print, looks on with harp. Thomas designed the group with the assistance of his brother William, who also trained under Chantrey. The plaster cast of the group won a 70-guinea competition for ‘a sculpture illustrative of Cambro-British history’ at the Abergavenny Eisteddfod in 1848, which was patronised by Lady Llanover. It was then shown at the Royal Academy, in 1849. The group was cast in bronze by Elkington, Mason & Co and shown at the Great Exhibition of 1851. This cast dates from 1856.</p>

Artist: THOMAS, John Evan THOMAS, William Meredyth Elkington & Co

(19th century)

NMW A 25991