Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Testun rhydd

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Adnabyddiaeth

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Artistiaid/Creadur

Lle

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Cofnodion â delweddau yn unig

Nôl i Ganlyniadau

Ym 1905 symudodd Jacob Epstein o Baris i Lundain, ac yno daeth i adnabod Augustus John. Ddwy flynedd yn ddiweddarach, gwnaeth ben efydd o Romilly John (g.1904), mab yr arlunydd. Mae'r cerflun grymus hwn o'r un pwnc yn dangos dylanwad cerflunio Cyntefig ac Eric Gill, a gerfiodd yr arysgrif ROM ar ei waelod. Ym 1911 disgrifiodd Epstein Rom fel 'y Plentyn Bythol, un o'r ffigyrau ymyl mewn grŵp yn dyrchafu Dyn a Dynes, o gwmpas creirfa ganolog...fel teml fawr'.

EPSTEIN, Jacob (Artist)

Ym 1905 symudodd Jacob Epstein o Baris i Lundain, ac yno daeth i adnabod Augustus John. Ddwy flynedd yn ddiweddarach, gwnaeth ben efydd o Romilly John (g.1904), mab yr arlunydd. Mae'r cerflun grymus hwn o'r un pwnc yn dangos dylanwad cerflunio Cyntefig ac Eric Gill, a gerfiodd yr arysgrif ROM ar ei waelod. Ym 1911 disgrifiodd Epstein Rom fel 'y Plentyn Bythol, un o'r ffigyrau ymyl mewn grŵp yn dyrchafu Dyn a Dynes, o gwmpas creirfa ganolog...fel teml fawr'.

Pwnc

Celf

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NMW A 2532

Creu/Cynhyrchu

EPSTEIN, Jacob

1880 - 1959

Rôl: Artist

Cyfnod: 1910

Derbyniad

Purchase, 7/1979

Mesuriadau

Uchder (cm): 85

Lled (cm): 31

Dyfnder (cm): 31

Uchder (in): 33

Lled (in): 12

Dyfnder (in): 12

Techneg

Limestone carving

Deunydd

Limestone

Lleoliad

In store

Categorïau

Cerflun | Sculpture Celf Gain | Fine Art 21_CADP_Dec_22 Celf ar y Cyd (100 Artworks) Pen Bachgen CADP content CADP random

Nid yw sylwadau ar gael ar hyn o bryd. Ymddiheuriadau am yr anghyfleustra.

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Celf

Erbyn yr Ail Ryfel Byd yr oedd Epstein wedi ymsefydlu'n deg fel cerflunydd ffigurol blaenaf Prydain. Gwraig i ddiplomydd o Tseina a gafodd ei alltudio i Brydain ar ôl y chwyldro yn Tseina oedd Chia Pi ('Blodyn Gwerthfawr'). Cafodd y benddelw hon ei chynhyrchu mewn cyfres o bump. Prynwyd hi gan Margaret Davies ym 1953.

Artist: EPSTEIN, Jacob

(1941)

NMW A 2516

Celf

Pen Bachgen

Artist: GAUDIER-BRZESKA, Henri

(1912)

NMW A 306

Celf

Dynion gyda Phowlen

Artist: GAUDIER-BRZESKA, Henri

(1914)

NMW A 1625

Celf

Information provided by the estate of Ronald Moody: 'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards. On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'

Artist: MOODY, Ronald Clive

(1937)

NMW A 24926

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Casgliadau Arlein

Amgueddfa Cymru

Chwilio Uwch

Pwnc

Rhif yr Eitem

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Categorïau

Eitemau cysylltiedig

Pen Bachgen

Dynion gyda Phowlen