My Big Day Out - Billy the Seal

Peter Howlett, 23 Mai 2012

Well, I thought things had looked up when I was put on display in the Clore Discovery Gallery. After so many years of just seeing the inside of museum stores it was great to be able to see visitors again!

Then came news that the BBC were to film me for a piece in their series called Coast, and, even better they wanted to film me on Exmouth beach - a day out - wow! Easy for me to say but this meant quite a bit of work for my curator, Peter Howlett, who had to get me ready, strap me into the van and do all the driving.

Anyway the big day arrived and I was loaded into a van for the journey down. It was great to see the world outside of Cardiff again - the first time since I was brought in on that trawler back in 1912. It was fantastic to see the sea again, even if it did get a little close during filming.

I was filmed with the skeleton of a Common Dolphin (courtesy of the Hebridean Whale and Dolphin Trust), I don't know about you but I think I'm far more impressive. The idea was to show why us Grey Seals are quite happy bouncing around on dry land when a dolphin ends up dead if it gets stranded. To explain this I had the company of one of Coast's presenters, Miranda Krestovnikoff. It took a while to set everything up but eventually they were ready and I got ready for my close up with Miranda - I think she was quite taken with me! It was rather nice being fimed on the deserted beach in the early evening sun.


Sadly my day out was now over and I was put back into the van for the journey back to the Museum and the following morning I was back in my usual place surveying the visitors in the Clore Discovery gallery. Keep an eye open for my appearance, I should be in one of the programmes to be screened next spring/summer.

Billy

Arctic Ocean exploration 12th May

Peter Howlett, 21 Mai 2012

And so to Bodø. Unfortunately the first half of the MAREANO spring 2012 research cruise is at an end.  We have arrived in Bodo, the largest city in Nordland county. The views from the bridge of the G.O. Sars reveal the port city  (pop. about 50,000) as fairly flat, surrounded by picturesque mountains.

At 10 o’clock, it is sunny and an exploratory walk to the marina and through the town is very pleasant; quite warm in the sun, but bitterly cold in the wind. A weekend marine festival is being set up around the marina and people are starting to arrive. Having got our bearings we return to the ship to say goodbye to many of our fellow scientists, who are catching a taxi to the airport. It is now 11 o’clock, the sky has darkened, and we have near horizontal snow! The sun reappears later, thankfully.

Scientists for the second two weeks of the sampling are beginning to arrive. For this leg, the ship will travel south from ‘Nordland VI’ to an area between Kristiansund and Halten. They will concentrate on video filming the marine habitats there and will not be deploying grabs, trawls or sledges. You can keep up-to-date at with the latest news of the project here.

After lunch we meet with Dr Børge Holte, head of the MAREANO programme, and cruise leader for the next leg. We discuss our work during the previous two weeks, and all agree that our participation with the Norwegian science team has been mutually beneficial. There was much in common between the MAREANO and our own series of scientific investigations of the seabed around Wales. You can find out more about the MAREANO project taxonomy here.


Throughout the first leg, we had been comparing and contrasting our similar, but differing, sampling techniques and sample processing procedures. We also had many discussions concerning the animals we find in the seabed habitats off our respective coasts. It was a pleasure to see some of the species we are familiar with (as well as others we rarely or never encounter) in the Arctic region from which they were first discovered.

The ship is set to sail at 3 p.m., so we say our farewells and go to our hotel for a brief rest before flying back to the UK on Sunday morning.

Apart from the port, the tourist appealing landscape and outdoor activities, Bodø is famous for hosting the National Norwegian Aviation Museum. This is situated beside the airport and both have strong links with the UK. The British built the first runway in 1940, when Germany invaded southern Norway. Then, during the Second World War, two Norwegian fighter squadrons flew Spitfires from England. Naturally, the Museum exhibits include the Spitfire alongside the numerous other military and civilian aircraft in its 10,000 m2 floorspace.

Once back in the UK we will post some photos of the animals we encountered during the trip. In the meantime, here are two photos of a small holothurian (sea-cucumber), Elpidia — affectionately referred to as a ‘sea-pig’ by all aboard the research ship. These interesting animals ‘graze’ the surface of the seabed.  This particular species grows to around 2 cm in length, but this specimen (from 1,300 m depth) is only about 4 or 5 mm long. The animal can be seen in situ in a photo from an earlier MAREANO research cruise here

Bylbiau'r Gwanwyn i Ysgolion: Canlyniadau 2005-2012

Danielle Cowell, 16 Mai 2012

Mae project ‘Bylbiau'r Gwanwyn i Ysgolion’ yn gyfle i filoedd o wyddonwyr ysgol weithio gydag Amgueddfa Cymru i archwilio newid yn yr hinsawdd a'i ddeall.

Ers mis Hydref 2005, mae gwyddonwyr ysgol  wedi bod yn cadw cofnod o'r tywydd a phryd mae eu blodau'n agor, fel rhan o astudiaeth hirdymor o effeithiau'r tymheredd ar fylbiau'r gwanwyn.

Mae tystysgrifau wedi cael eu hanfon at yr holl ddisgyblion yn 2933 a gwblhaodd y prosiect eleni.

Mae rhagor o fanylion yn adroddiadau Athro'r Ardd neu gallwch chi lawrlwytho'r daenlen i astudio'r patrymau!

  • Gwnewch siartiau amlder a graffiau i ganfod y cymedrau.
  • A wnaeth blodau agor yn hwyr mewn ysgolion oedd yn cofnodi tywydd oer?
  • Sut wnaeth tymheredd, heulwen a glaw effeithio ar ddyddiadau blodeuo ar gyfartaledd?
  • Chwiliwch am dueddiadau mewn gwahanol lefydd yng Nghymru.
 

Cystadleuaeth Darlunio Cennin Pedr 2012.

Llongyfarchiadau i'r disgyblion canlynol am creu darluniau botanegol ardderchog!

1af: Sana Patel - Fulwood & Cadley Primary

2ail: Markus - Stanford Primary - Age 9

3ydd: Emilia Porter - Fulwood & Cadley Primary

Goreuon y Gweddill:

  • Marielle Matter - Westwood Primary - Age 9
  • Emlyn Piette - Westwood Primary - Age 10
  • Aleena Raza - Fulwood & Cadley Primary
  • Lucy Turner - Fulwood & Cadley Primary
  • Davina Vadhere - Fulwood & Cadley Primary
  • Bradley Cox - Stanford in the Vale Primary - Age 9
  • Abigail Boswell - Fulwood & Cadley Primary
  • Hasan Patel - Fulwood & Cadley Primary
  • Tom Betheridge - Fulwood & Cadley Primary
  • Mairelle Mattar - Westwood Primary - Age 9
  • Hasan Ali - Sherwood Primary
  • Charlie Smith - Ysgol Nant Y coed - Oed 9

Diolch yn fawr

Athro'r Ardd

www.museumwales.ac.uk/scan/bylbiau

Twitter http://twitter.com/Professor_Plant

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Graham Sutherland: Adnabod yr Artist

14 Mai 2012

Graham Sutherland c.1940

Graham Sutherland c.1940 © Ystad Graham Sutherland

Pastoral, 1930 (NWM A 4042)

SUTHERLAND, Graham
Pastoral, 1930 (NWM A 4042)
© Ystad Graham Sutherland

Welsh Landscape, 1936 (NWM A 4403)

SUTHERLAND, Graham
Welsh Landscape, 1936 (NWM A 4403) © Ystad Graham Sutherland

Feeding a Furnace, 1942 (NWM A 4628)

SUTHERLAND, Graham
Feeding a Furnace, 1942 (NWM A 4628) © Ystad Graham Sutherland

SUTHERLAND, Graham <em>Di-deitl, Ffurf fel Ton</em>, 1976 (NMW A 2271)

SUTHERLAND, Graham
Di-deitl, Ffurf fel Ton, 1976 (NMW A 2271) © Ystad Graham Sutherland

SUTHERLAND, Graham <em>Study of a Palm Frond</em>, 1947 (NWM A 4101)

SUTHERLAND, Graham
Study of a Palm Frond, 1947(NWM A 4101)

Disgrifiwyd Graham Sutherland fel 'arlunydd gorau ei genhedlaeth'. Cafodd y llefydd lle bu Sutherland yn gweithio ddylanwad mawr ar ei waith: o dirwedd wledig Caint i fryniau a chymoedd gorllewin Cymru a gwres a golau de-ddwyrain Ffrainc.

Sutherland fel printiwr yn Goldsmiths yng nghanol y 1920au. Mae coed a choedwigoedd yn thema gyson yng ngwaith Sutherland, o'r golygfeydd cefn gwlad hiraethus yn ei waith cynnar, i'r coed moel ac afluniaidd yn ei luniau diweddarach. Mae coed yn ymdebygu i greaduriaid yn aml, a gallant fynegi emosiwn a theimlad corfforol.

Sutherland yn Sir Benfro

Ymwelodd â Sir Benfro am y tro cyntaf ym 1934, gan ddweud wedyn mai yno 'y dechreuodd ddysgu paentio'. Roedd yn cofio cael ei gyfareddu gan 'eithin cam ar ymyl clogwyn... y blodau a'r pantiau llaith... y cymoedd gwyrdd dwfn a'r bryniau crwn a'r holl ffurfiant syml a chymhleth'.

Yn Sir Benfro, darganfu Sutherland dirwedd yn llawn 'hynodrwydd bendigedig' ond teimlai hefyd ei fod ef yn 'rhan annatod o'r ddaear' fel yr oedd ei nodweddion yn rhan ohono ef.

Ymwelodd Sutherland â gweithiau dur yng Nghaerdydd ac Abertawe ym 1941 a 1942. Fel sy'n wir am ei luniau cynharach o goed a thirluniau, roedd Sutherland yn cyffelybu gwaith y ffowndri i greaduriaid byw. Ysgrifennodd: 'fel y mae'r llaw yn bwydo'r geg, felly plymiai rhofiau hir i mewn i agoriad y ffwrnais i'w bwydo, ac wrth dywallt haearn tawdd i mewn i'r lletwadau mawr, roedd y cynhwysyddion metel yn ymddangos fel petai ganddynt gegau mawr cramennog.'

Wrth ddisgrifio ei brofiad cyntaf o dde Ffrainc ym 1947, dywedodd Sutherland: 'Fe ddes i adnabod

Cézanne go iawn ar ôl gweld Provence am y tro cyntaf, ac yn sydyn iawn roedd paentiad van Gogh yn fy nghyffroi o'r newydd'. Cafodd ei annog i ymweld â'r ardal yn wreiddiol gan ffrindiau fel Francis Bacon .

Roedd Sutherland wrth ei fodd ar unwaith gyda'r hinsawdd heulog a phlanhigion ac anifeiliaid diddorol yr ardal. Ym 1956 prynodd ef a'i wraig villa modernaidd a gynlluniwyd gan y pensaer o Iwerddon, Eileen Gray. Treuliodd Sutherland lawer o'r flwyddyn yn byw yn y tŷ hwn, ar ochr bryn ger tref arfordirol Menton, weddill ei oes.

Yn Ffrainc, darganfu Sutherland amrywiaeth o ffurfiau newydd i'w ysbrydoli. Aeth ati i astudio, dadansoddi ac aildrefnu ffurfiau palmwydd, gowrd, indrawn a gwreiddiau. Câi'r pethau hyn eu portreadu fwyfwy fel creaduriaid neu ffigyrau wedi'u dal mewn proses o fetamorffosis. Mae dail palmwydd yn awgrymu haul, gwres a natur estron de Ffrainc. Ar ôl caledi a thristwch blynyddoedd y rhyfel, mae'n rhaid eu bod wedi ymddangos yn egsotig. Fodd bynnag, y mae mwy iddynt na dim ond cyrchfan gwyliau. Mae ymylon llym iawn y dail yn atgoffa rhywun o natur bigog astudiaethau drain cynharach Sutherland. Maent yn awgrymu'r posibilrwydd bod pleser a phoen yn cyd-fodoli.

Ym 1967 dychwelodd Sutherland i orllewin Cymru am y tro cyntaf ers dros 30 o flynyddoedd. Ddegawd bron yn ddiweddarach, ac yntau wedi bod yn gweithio'n rheolaidd yn yr ardal unwaith eto, eglurodd ei fod wedi gwneud 'camgymeriad mawr' am iddo gredu na allai'r lle gynnig rhagor o ysbrydoliaeth iddo. Yn groes i'w ddisgwyliadau roedd eto wedi ymgolli yn yr awyrgylch rhyfeddol — sy'n dawel ac eto'n llawn cyffro hefyd.

Roedd Sutherland yn awyddus i adael casgliad i Gymru am iddo 'dderbyn cymaint gan y wlad hon, hoffwn roi rhywbeth yn ôl'.

Ym 1976 sefydlodd Oriel Graham Sutherland yng Nghastell Picton a oedd yn gartref i'r rhan fwyaf o'r casgliad hwn nes iddo gael ei drosglwyddo Amgueddfa Cymru ym 1995.

Trefnwyd yr erthygl hon gan Rachel Flynn fel rhan o Ddyfarniad Doethuriaeth ar y cyd gan Amgueddfa Cymru a Phrifysgol Bryste a ariannwyd gan Gyngor Ymchwil y Celfyddydau a’r Dyniaethau.

Gweld rhestr o weithiau

Graham Sutherland ar Celf Arlein.

Cysylltiadau

Oriel y Parc

Cardiff Creative Writers

Grace Todd, 14 Mai 2012

Objects are evidence of somewhere, something, or somebody and as such all have stories to tell.

Recently a class of adults studying creative writing at Carduff University attended a workshop here with me in the Clore Discovery Centre. They took on the role of a curator and wrote their own creative labels for some of their favourite objects in the gallery. Here are a few examples:

 

Iron-Nickel Meteorite (Approximately 4.5 billion years old)

 I wandered lonely, in a cloud of fragments, beyond the Martian orbit, since the beginnings of the Solar System some four-and-a-half billions of years ago. A passing satellite, en-route from Earth to who knows where, disturbed my orbit, and I fell towards the distant sun. Later, I felt the pull of Earth, and spiralled down into its gravity well – faster and faster until in fiery glory I blazed across the sky, a meteorite. Though reduced in size, I fell to earth. A fragment of the ancient history of the Solar System – a messenger from outer space – here I lie in The National Museum Collection.

David Edwards

 

What is it? Popular wrong answers include a drinking vessel or a paperweight!!

 It is an axe head. Bronze Age man hafted it to a wooden handle and used the D shaped loop on the side for strapping.  Butchering, wood-cutting and self-defence are among possible uses for this versatile tool.

 Mike Dolan

 

A snakestone fossil

thought to be magic,

I was a cephalopod

with head and foot fused.

 

In life I relied

on plain hydraulics

a siphuncle curled

like a twirling straw

 

adjusted the pressure

in my chambered coils,

let me rise and fall

as I dodged ichthyosaurs.

 

Anne Bryan