What is a herbarium?

Amy Wyatt, 6 Mawrth 2018

Amy Wyatt is a Professional Training Year Intern from Cardiff University, find out more about Amy's project this year

 

A herbarium is a collection of preserved plant specimens that have been stored appropriately, databased and arranged systematically to ensure quick access to students, researchers and the general public for scientific research and education. The Welsh National Herbarium contains vascular plants, bryophytes (mosses and liverworts), lichens, fungi, and algae. In the vascular herbarium, specimens are arranged by plant family/genus, and stored alphabetically.  Specimens are stored in tall cabinets within the herbarium which is kept cool at all times. Each cabinet usually contains one taxonomic group of plants, for example members of the genus ‘Rubus’ have their own cabinet/section within the herbarium. And within the ‘Rubus’ cabinet, you will find individual species of Rubus (Rubus occidentalis-black raspberry, Rubus aboriginum–garden dewberry), each with its own folder containing all specimens of that species.  Some specimens have been digitised and placed on an electronic system to make accessing records and ‘borrowing’ specimens to other institutions easier.

Herbaria are essentially the ‘home’ of historical plant records, containing information that would otherwise be lost in time. It is the curator’s role to ensure that all specimens are kept contamination free, are stored according to the correct guidelines, and are all stored systematically. The herbarium is checked regularly for infestations, and strict guidelines are put in place to ensure all specimens remain in pristine condition. Any loss or damage to specimens would be catastrophic because of the irreplaceable nature of collections. Herbaria also contain type specimens, individual specimens that an author based their description on when describing a new species. So, damage to these specimens has wide devastating impacts to not just museum collections, but science and taxonomy as a whole.

Who benefits from herbaria?

HISTORIANS: Specimens stored in the herbarium can give insights into the daily life of people in history. Collections like the economic botanic collection contain plants and botanical items that were of important domestic, medicinal, cultural use to society in the past. This collection contains herbs, dyes, textiles and culturally important items that are kept demonstrate their importance to world culture through displays, museum visits and exhibitions! Historians can also use herbarium collections for project collaborations, for record of discoveries and for exploration.

BOTANISTS: The most obvious field that benefit from herbaria is botany; botanists are scientists that exclusively study and perform experiments on plants. Some herbaria records span back hundreds of years, so this gives botanist a unique chance to look at how plant life has changed in this period of time. There are many studies that can be performed on herbaria entries, and usually depends on the specialist skills of the researcher looking at them. Botanists can look at changes in stomatal density, how a plant species has changed over time, when invasive species were first documented in the herbarium, what plant species are abundant at a particular period of time, flowering times of plants, if there are any gaps in plant records, amongst a whole host of other information

SCIENTISTS: It’s not exclusively botanists that benefit from herbaria, other branches of science can also use the collections in their research. Biologists, conservationists and ecologists can benefit from the specimens found in herbarium and frequently use collections for ongoing research. Specimens provide a detailed account of plant life, and this information can be used to look at diversity and abundance of certain plant species, patterns of plant distribution, record of rare plant sightings (e.g. here we have a very precious collection of ghost orchids, which were thought to be extinct until 2009 and have only been sighted a hand full of times since), environmental responses to changes in the climate or weather, to educate students, etc. Herbaria can also be an excellent source of collaboration between universitys and the Museum, providing networking potentials.

TEACHERS/PEOPLE IN EDUCATION: Herbaria and museums are a great source of outreach for education of the public. Collections like the economic botany collection provide historical context to important botanical items (e.g Indigo, cinnamon) that have part of our culture behind them. The herbarium also has active researchers working upon vascular plants, lower plants, and diatoms. This work is often used to educate the public at events like museum exhibits, guided tours of the herbarium, conferences, and shows like the RHS flower show. 

What can be found in herbaria?

Vascular plants - Vascular plants are essentially ‘higher plants’ and are composed of all individuals that have water conducting tissue in their ‘stems’; flowers, grasses, trees, ferns, herbs, succulents, etc. are all types of vascular plants. These types of plants are usually stored on archival herbarium sheets, but the method of preparation and storage may depend on the contents of the specimen. Plants that are easily pressed are mounted onto acid free herbaria sheets, with a descriptive label for each specimen. These herbaria specimens must contain reproductive and vegetative organs, which are critical for species identification in plants. Any plant parts that can’t be easily pressed, e.g. tubers, bulbs, fleshy stems, large flowers, cones, fruits, etc are usually dried and placed in boxes or paper bags that are associated with other parts of the specimen.

Bryophytes (mosses and liverworts) - Bryophytes include both liverworts and mosses are generally described as ‘lower plants’ and represent some of the oldest organisms on earth. Both groups grow closely packed together in matts on rocks, soil or trees. These types of plant don’t have regular water conducting tissue, so rely heavily on their environment to regulate their water levels. Both mosses and liverworts are unsuitable for ‘pressing’ as key features used in identification would be damaged during the process. Instead, specimens are dried, decontaminated and placed in packets, boxes or paper bags to ensure their long-term storage.

Lichens - Lichens are unique in plant taxonomy because they are an organism composed of two separate organisms in a symbiotic relationship. A lichen is composed of a fungus, and either an algal cell or bacterial cell. The fungal portion of the organism extracts organic carbohydrates and nutrients from the environment, and the algal/bacterial portion of the organism undergoes photosynthesis to capture energy from the sun. Because lichen are difficult to extract from their environment, commonly they are collected still attached to their substrate (rocks, bark, soil crusts) and stored in boxes.

Fungi - fungi are filamentous, simple organisms that occupy almost every habitat on earth. Fungi are not plants and belong in their own kingdom, as they contain no chlorophyll and extract organic nutrients directly from their environment. Surprisingly, most fungi are totally microscopic and invisible to the naked eye dwelling deep in the ground connected by a network of hyphae. It is only a small portion of macroscopic fungi that produce fruiting bodies we know as ‘mushrooms’. Fungal bodies cannot be pressed, they must instead by dried thoroughly and stored in cases or boxes.

Algae - Algae are a very diverse group of non-flowering aquatic organisms that contain chlorophyll, so can photosynthesise to produce energy for themselves. Algae are very important to the earth, and it’s estimated that they produce 70-80% of the earths atmospheric oxygen. The term ‘algae’ covers wide range of organism including sea weed, kelp, ‘pond scum’, algal blooms in lakes or pools, diatoms, etc. These groups are not necessarily closely related and can exist in a huge range of different forms! Collecting and preserving algae can be done in two ways, storing them in liquid to preserve the specimen or dry preserving the specimen on herbarium paper or a microscope slide. What method is best usually depends on the species being collected and its properties.

Sharing Stories, Sharing Collections

Poppy Nicol, 27 Chwefror 2018

In November 2017, I started a placement with the Amgueddfa Cymru-National Museum Wales (AC-NMW). The four-month placement is funded by the Natural Environment Research Council Valuing Nature Programme. It aims to investigate ways in which the AC-NMW’s Economic Botany Collection can improve societal understanding and valuing of biodiversity and contribute to the AC-NMW well-being duty (Well-Being of Future Generations (Wales) Act 2015). I arrive at this placement with an interest in how plants and the cultivation of plants have the potential to support health and well-being in a range of ways.

Amgueddfa Cymru-National Museum Wales Economic Botany Collection

The Amgueddfa Cymru-National Museum Wales Economic Botany Collection consists of approximately 3,500 specimens of various items ranging from seeds to medicinal plants, dyes, tannins, cotton and other fibres as well as a range of oils, gums, resins and pine cones.

I have spent the first part of the placement exploring the collection. Highlights include the largest seed in the world – the Coco de Mer – to some of the smallest orchid seeds, a range of naturally dyed wool samples from Cambrian Mills – including Walnut, Elderberry, Indigo, Privet and Madder.

Stories and Seeds

Alongside the diversity of material contained within the collection, there are many stories. The collection includes a range of notation and correspondence of collectors. Exploring the collection also reveals interests of collectors. One of the previous Keepers of Botany at AC-NMW (1962-1984), SG Harrison had a keen interest in drift seeds, found floating along the tidal range of beaches across the world from Riviera Beach, Florida to Malaysia. A key contributor to the collection is AE Wade, who investigated Welsh flora within South Wales and surrounding environs. He contributed seeds of wild plants and flowers found in the verges of Cardiff city, within Cardiff Castle and National Museum Cardiff grounds, Cardiff and Barry Docks and the Vale of Glamorgan. There are also a number of seeds from Singleton Park Botanic Gardens and Kew Gardens.

Materia Medica

The Museum also hold the recently acquired Materia Medica collection from Prof. Terence Turner (School of Pharmacy and Pharmaceutical Sciences, Cardiff University).

Next steps

The next phase of the placement invites members of the public explore how the collection might be better used and how new collecting approaches might best be approached. I am looking forward to meeting a range of stakeholders interested in biodiversity and well-being within Wales. One of the forms of engagement will include the co-production of a range of handling boxes of specimens from the Economic Botany Collection with a number of identified stakeholders, and a public consultation at the Museum during February half-term.

Medicinal Plants

The potential for the collection lies not only in enabling the public to learn more about the power of plants. It could also hold information that could support the health and well-being of future generations through scientific research. It is estimated that of the 250,000 species of flowering plants only 5,000 have had their pharmaceutical potential tested in laboratories. Cancer-curing properties have been found in a range of plants including:

  • Yew (Taxus baccata), the needles of which contains yew leaves contained compounds that could be used as starting material for the synthesis of paclitaxel, an active anti-cancer compound which can be used for the treatment of ovarian cancer.
  • Madagascan Periwinkle (Catharanthus roseus) contains several highly toxic alkaloids which have been used in the treatment of a number of cancers. One derived compound has been credited with raising the survival rate in childhood leukaemia from less than 10% in 1960 to over 90% today [1].
  • Sweet Wormwood (Artemisia annua) has  been used in China for centuries for treatment of malaria – since at least the third century CE. The active principle artemisinin which is a chemical that occurs naturally in the leaves of Sweet wormwood has been identified as a potent anti-malarial agent that may be used to treat one of the most deadly malarial parasites, Plasmodium falciparum [2]. Several semi-synthetic derivatives have now been used for combination therapies for the safe treatment of acute and recurrent malarial infections. There are now a range of programmes selecting and cloning high artemisinin-yielding chemotypes.

There must be more plant medicines to be discovered! By the year 2050, 60,000 species may become extinct. Conservation which preserves biological diversity is vital for the future. The Materia Medica gifted to AC-NMW by Prof Terence Turner of the School of Pharmacy and Pharmaceutical Sciences may prove to be a useful resource for the future of understanding the healing properties of plants. I am in the process of building links with the National Botanic Garden of Wales, Kew Garden and the Royal College of Physicians garden team to further explore how the Prof Turner’s Materia Medica could be developed as a resource.

Endnotes

The project is funded by the Natural Environment Research Council-Valuing Nature Programme. Poppy Nicol is the principal researcher (Sustainable Places Research Institute, Cardiff University) currently based at Amgueddfa Cymru-National Museum Wales. Findings will be presented in a report which will be made publicly available on the NERC Valuing Nature network website.

[1] http://powo.science.kew.org/taxon/urn:lsid:ipni.org:names:77880-1

[2] http://powo.science.kew.org/taxon/urn:lsid:ipni.org:names:304416-2

Meet our student intern: Eirini!

Alice Pattillo, 23 Chwefror 2018

As we are sure you are aware, there's a lot that goes on behind the scenes at the National Museum of Wales, including research, conservation and work experience. This week is Student Volunteering Week and in honor of this, we have taken the time to find out a little bit more about one of our interns, Eirini...


Profile

Name: Eirini Anagnostou

Job title/ Role: Intern

Department: History and Archaeology, National Museum Cardiff


Where you are you from?

Greece

What are you studying?

I am a student of Aristotle University of Thessaloniki, studying Archaeology and History of Art

Why did you choose to study Archaeology and History of Art?

I've been interested in Art since high school, particularly Contemporary but also Renaissance and Byzantine art and I am also interested in cultural history and civilisations.

What are you doing here?

Erasmus+ placement programme, working as an intern updating the Portable Antiquities Scheme Cymru database – I’ve worked here for 2 months so far!

What are your main duties?

Using the Photoshop programme and processing images of artefacts found by mainly metal detectorists to go on the PAS database.

Next week I will be doing some photography, and working on developing stories on a collection of Ancient Greek coins. I am also hoping to have input into the development of an exhibition concept.

Why did you come to Cardiff?

I visited Cardiff three years ago and I liked the city. I chose the National Museum because it is one of the biggest museums in the UK. I think it’s a good experience for my personal development and future aspirations.

Are you enjoying your time in Cardiff?

Yes, Cardiff is a lovely city with friendly people. There are many things to do and a beautiful castle!

What have you enjoyed the most about working at NMW?

The working environment here is very friendly and helpful. I’ve learnt a lot and I’ve had the opportunity to see the galleries – I was amazed at the extensive collection of Impressionist paintings!

Have you seen anything that’s not currently on display that particularly interested you?

I’ve never seen so many artefacts before – I’ve never seen bones and prehistoric artefacts like those collected in the museum’s stores, and I enjoyed having the opportunity to see them.

What do you hope to learn from this experience?

I hope to learn how a museum works because I’d like to do a Masters in Museum Studies and possibly become a curator. I am still deciding where to study for my Masters degree. I also am enjoying experiencing living abroad and I hope to continue travelling for a couple more years.

To see more content related to the Portable Antiquites Scheme and the Saving Treasures; Telling Stories Project, a project currently working with PAS and local metal detectorists and communities to record all archaeological findings, click here.

Cymru a'r Môr

David Jenkins, 16 Chwefror 2018

Beth mae 'Cymru a'r Môr' yn ei olygu i mi?

Yn syml iawn, mae'n rhan fawr o bwy ydw i!

Ar ochr fy nhad, rwy'n nai, ŵyr, gor-nai, gor-ŵyr a gor-or-ŵyr i forwyr o bentref Aberporth yng Ngheredigion. Chwaraeodd pob un ei ran yn y cyfraniad anferth, anghymesur bron a wnaed gan forwyr Cymru at lynges fasnachol Prydain dros ddwy ganrif o 1750 i 1950.

Cododd pob un bron yn Gapten (Master Mariner) a dros y canrifoedd dyma nhw'n capteinio llongau o bob maint - o'r cychod bychain fyddai'n cario glo mân a chalchfaen i'r pentref yn y 19eg Ganrif, i'r cludydd mwyaf dan y lluman coch ddiwedd y 1960au.

Mae un o’m cyndeidiau yn gorwedd yn ddwfn dan ddyfroedd oer Newfoundland, lle bu farw wedi i'w long daro mynydd ia. Claddwyd un yn y fynwent Brydeinig yn Chacarita, Buenos Aires lle bu farw tra'n capteinio tramp yn cludo glo o Gaerdydd i bweru rheilffyrdd a lladd-dai yr Ariannin. Roedd yn rhaid i un arall ddelio â llofruddiaeth ar ei long wedi i ddadl rhwng y criw am ddyled gamblo fynd dros ben llestri.

Ond nid hanes anturiaethau morwyr yn unig yw hon.

Ar ddechrau'r 20fed ganrif, gyda hyd at hanner dynion y pentref wedi mynd i'r môr roedd cymuned Aberporth a nifer o bentrefi tebyg yn gymuned fatriarchaidd. Cymuned lle magai menywod cryf eu teuluoedd eu hunain tra'n hiraethu am eu hanwyliaid am gyfnodau maith. Mae'n anodd amgyffred y boen a'r gofid a brofwyd ar nosweithiau stormus dirifedi â milltiroedd maith rhyngddynt â'u cariadon.

Ond roedd manteision i fod yn wraig i gapten hefyd! Os oedd llong y gŵr yn cyrraedd porthladd Prydeinig, neu borthladd cyfagos ar y cyfandir, byddai'r wraig yn aml yn teithio i'w gyfarfod. Yn ogystal â chwmni cariadus, byddai cyfle hefyd i weld ffasiwn ddiweddaraf Caerdydd, Newcastle a Glasgow - neu Antwerp a Hamburg hyd yn oed! Byddai gwraig capten llong yn aml yn ennyn yr un parch ar y tir mawr ag y byddai ei gŵr ar y môr. Feiddiai neb alw fy hen fam-gu yn ddim ond Mrs. Capten Jenkins!

Er gwaethaf y llinach hwn, drwy siawns gyrfa cefais fy magu filltiroedd o'r môr ym Meirionydd. Dim ond dros wyliau ysgol fydden ni'n cael cyfle i ymweld ag Aberporth a mwynhau pysgota mecryll a gosod cewyll cimwch. Meirionydd yw cartref teuluol fy mam, ac mae ei theulu wedi bod yn ffermio yng ngogledd yr hen sir honno ers oes Elisabeth I o leiaf.

Bychan fyddai dylanwad y môr ar eu bywydau bob dydd meddech chi. Ond ganol y 1880au bu'n rhaid iddynt adael eu cartref, Tŷ Ucha' ym mhentref Llanwddyn, pan godwyd argae ar afon Efyrnwy i ddarparu dŵr ar gyfer Lerpwl oedd ar anterth ei llwyddiant fel un o borthladdoedd blaenaf Prydain. Ymestynna dylanwad y môr ymhell tu hwnt i'r arfordir, felly cofiwch bod y digwyddiad eleni yn perthyn i Gymru gyfan, ac nid ein cymunedau glan môr yn unig.

 

Arferion Caru

14 Chwefror 2018

I ddathlu Dydd San Ffolant a Dydd Santes Dwynwen cyn hynny, dyma luniau o eitemau yn ein casgliadau yn Amgueddfa Werin Cymru a roddwyd fel arwydd o ramant a chariad.

Y Llwy Garu

Cerfiwyd y llwy hynaf yng nghasgliad yr Amgueddfa yn 1667, ond mae’n ddigon posibl bod y traddodiad yn bodoli llawer cyn hynny. Roedd cerfio llwyau o bren er mwyn eu defnyddio yn y cartref yn arfer poblogaidd dros fisoedd hir y gaeaf, yn enwedig yng nghefn gwlad Cymru. Byddai’r llwy yn cael ei rhoi fel arwydd o angerdd ac hefyd yn cael ei defnyddio gan y derbyniwr wrth y bwrdd bwyd. Wrth i’r grefft ddatblygu, troes y llwy garu i fod yn llawer mwy addurnedig ac yn llai o declyn bwyta.

 

Cerfiwyd y llwyau caru mewn amrywiaeth o wahanol siapiau gyda phatrymau gwahanol a chywrain. Gellir dehongli symbolaeth yr addurniadau hyn mewn amryw ffyrdd, ond dyma restr isod o’r rhai mwyaf poblogaidd a’u hystyr posibl:

 

Calonnau

Symbol cariad ym mhob cwr o’r byd a welir yn aml ar lwyau caru Cymreig. Arwydd o angerdd ac emosiwn dwfn sy’n sicr yn cyfleu dwyster teimlad y cerfiwr at ei anwylyd. Mae’n bosibl bod llwy â dwy galon yn dangos cariad cytûn rhwng y crefftwr a’r derbyniwr.

Powlenni dwbl

Yn achlysurol cai llwyau caru eu cerfio gyda dwy bowlen neu ragor, gan ddangos, o bosibl, undod eneidiau neu, yn yr engrheifftiau gyda thair powlen, y dymuniad am blentyn.

Coma neu siâp persli

Siâp sydd i’w weld yn aml ar lwyau caru Cymreig hanesyddol. Dwedir ei fod yn cynrychioli’r enaid a serch dwys.

Peli mewn cawell

Credir bod peli wedi’u cerfio mewn cawell yn cynrychioli’r nifer o blant y gobeithiai’r cerfiwr eu cael, ond gallant hefyd gynrychioli gŵr sy’n gaeth gan gariad.

Cadwyni

Ystyrir rhain fel arwydd o deyrngarwch a ffyddlondeb, ond gallant hefyd fod yn arwydd o ddau enaid wedi’i clymu gan eu cariad a’u ffyddlondeb.

Diemwntau

Credir bod diemwntau yn dymuno bywyd llewyrchus ac yn addewid i ddarparu’n dda ar gyfer eich cariad.

Allweddi a thyllau clo

Yn ogystal â’r tŷ, gwelir delweddau eraill ar lwyau caru Cymreig weithiau sy’n arwydd o gartref dedwydd. Mae allweddi a thyllau clo yn cael eu cerfio’n aml er mwyn cyfleu diogelwch, neu’r syniad rhamantus o allwedd i’r galon.

Olwyn

Mae olwynion i’w gweld yn aml ar lwyau caru Cymreig a dywedir eu bod yn brawf o addewid y cerfiwr i weithio’n galed ac arwain ei gymar trwy fywyd.

 

Cardiau Ffolant

Dywedir bod y neges ffolant gyntaf yn Lloegr yn dyddio o 1684. Yng Nghymru, yn ystod yr un cyfnod, ceir sôn gan y bardd Edward Morris, Perthi-llwydion am neges debyg. Er hynny, rhaid oedd aros hyd at y 19eg ganrif nes i’r arfer o anfon cardiau ffolant ddod yn boblogaidd gyda’r enghriefftiau cynharaf o Gymru yn deillio o ddechrau’r ganrif honno. Yn y cyfnod hwn hefyd, yn Sir Forgannwg,  daeth “clymu cwlwm cariad” yn boblogaidd. Byddai’r clymau hyn yn cael eu dosbarthu fel ffafrau ar Ddydd San Ffolant, yn arwydd o serch ac ymroddiad. Gyda threigl amser gwelwyd y clymau ar gardiau San Ffolant.

 

Yn anffodus, fel gall llawer dystio, gall llwybr cariad fod yn llawn rhwystrau a siomedigaethau. Mae gennym yn yr Amgueddfa gasgliad o “Ffolantau Sbeit” neu “Falantau Ysmala” a anfonwyd i’r rheini a oedd wedi gwrthod neu dwyllo cariad neu wedi rhoi terfyn ar berthynas. Mae’r ddelwedd gyntaf yn dangos cerdyn o’r fath.