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Since the launch of the Quentin Blake exhibition our inbox has been filling up, and the phone hasn’t stopped with fellow Roald Dahl and Quentin Blake superfans wanting to know more about what's going on. Everyone wants to get involved! So I thought I’d share a little bit of what’s been happening so far.

The Exhibition

People have been coming along to draw in the gallery and already our wall is bursting with wonderful drawings.

Want to join in?  https://museum.wales/cardiff/whatson/8916/Quentin-Blake-Inside-Stories/

Activity Booklet

Our activity booklets have been flying out and the competition entries have been coming in thick and fast!

To draw your way around the museum and take part in the competition, just pop in to the Clore Discovery centre to get your very own booklet https://museum.wales/cardiff/clore/

Family Workshop 

Families have been making some really nice little storybooks of their very own.  

Teachers

We have a teacher's pack in both Welsh and English that will help you explore the exhibition with your class - https://museum.wales/media/38707/QB-FINAL.pdf  

Cymraeg - https://amgueddfa.cymru/media/38708/QB-FINAL-cy.pdf

If you would like to bring your class to the museum all the information you need about booking is available at - https://museum.wales/cardiff/learning/booking_information/

Mae project Bylbiau'r Gwanwyn i Ysgolion yn gyfle i filoedd o wyddonwyr ysgol weithio gydag Amgueddfa Cymru i archwilio newid yn yr hinsawdd a'i ddeall. Ers mis Hydref 2005, mae gwyddonwyr ysgol wedi bod yn cadw cofnod o'r tywydd a phryd mae eu blodau'n agor fel rhan o astudiaeth hirdymor o effeithiau'r tymheredd ar fylbiau'r gwanwyn.

Mae tystysgrifau wedi cael eu hanfon at yr holl ddisgyblion yn 4,907 a gwblhaodd y prosiect eleni. Mae rhagor o fanylion yn adroddiadau Athro'r Ardd: Adroddiad Athro'r Ardd i weld y canlyniadau hyd yn hyn.

• Gwnewch siartiau amlder a graffiau i ganfod y cymedrau.
• A wnaeth blodau agor yn hwyr mewn ysgolion oedd yn cofnodi tywydd oer?.
• Sut wnaeth tymheredd, heulwen a glaw effeithio ar ddyddiadau blodeuo ar gyfartaledd?.
• Chwiliwch am dueddiadau mewn gwahanol lefydd yng Nghymru..

Hoffwn ddiolch i bob un o'r Gwyddonwyr Gwych a chymrodd ran eleni!

Professor Plant www.amgueddfacymru.ac.uk/bylbiau-gwanwyn/

Twitter http://twitter.com/Professor_Plant

I actually visited the Mametz Wood exhibition twice. The first time was the official opening, but as I didn’t see anyone that I knew, I spent most of the time hovering at the back during the speeches and the opera recital (which sounded beautiful, but as I know nothing about opera it went over my head a bit), while feeling spectacularly under-dressed next to all the soldiers in their shiny, smart uniforms.

I enjoyed the exhibition itself very much. The work we had done in youth forum had provided helpful context which meant I could appreciate what I was seeing a whole lot more; the Christopher Williams painting was of course a highlight, as was the World War One stretcher and a pistol owned by Siegfried Sassoon, who had fought at the battle.

It was also great to see the work of the very talented Margaret Williams, who I hadn’t heard of before I joined the youth forum, showcased alongside her male counterparts. However, due to the fact that it was an opening, it was very crowded, and being too British to ask people to move slightly aside I missed some of the exhibits. 

I decided to go back a few days later, and this turned out to be a very good idea. This time, there were old music hall and war songs playing quietly in the background. Combined with the ghostly sketches of soldiers, surrounded by their old possessions, it really made you feel as though you had stepped back in time, which surely is a sign a museum has done its job.

It also seems to enhance the sense of the futility of it all. I was surrounded by images and descriptions communicating the brutality, violence and bloodshed, the enormous sacrifice, and in the end, this was all that was left. A pipe, some faded documents, the stretcher rather than the people it had carried, a few old songs, and a collective national sense of loss. It was hard not to feel emotional. All this suffering may have created beautiful art, but the suffering itself hadn’t been worth it at all. 

There was also a video screen showing an actor reading a section of In Parenthesis, originally by David Jones, now adapted for a new opera. Whether it was because of the skill of the actor (whose name escapes me) or all the things I’d just seen and felt, I found I didn’t need to put the headphones on to understand what he was trying to say. 

So, to conclude. War’s Hell: The Battle of Mametz Wood in Art is well worth a visit. And next time I get invited to an exhibition opening, go with a friend and make more of an effort than just jeans and a jumper.  

Bydd Amgueddfa Cymru yn dyfarnu Tystysgrifau Gwyddonwyr Gwych i can pedwardeg o ysgolion ar draws y DU, i gydnabod eu cyfraniad i Ymchwiliad Bylbiau’r Gwanwyn.

Llongyfarchiadau anferth i bob un o’r ysgolion!

Diolch i bob un o’r 4,907 disgybl a helpodd eleni! Diolch am weithio mor galed yn plannu, arsylwi, mesur a chofnodi – rydych chi i gyd yn Wyddonwyr Gwych! Bydd pob un yn derbyn tystysgrif a phensel Gwyddonydd Gwych, ac fe fyddan nhw’n cyrraedd eich ysgol tua canol mis Mai.

Diolch yn fawr i Ymddiriedolaeth Edina am eu nawdd ac am helpu i wireddu’r holl  broject!

Enillwyr 2016:

Bydd pob un yn derbyn trip ysgol llawn atyniad natur.

Ysgol Pentrefoelas - Cymru

Biggar Primary – Yr Alban

Carnforth Primary - Lloegr

Yn ail a trydydd:

Ysgol Nant y Coed - Cymru

Severn Primary - Cymru

Abbey Primary School - Yr Alban

St. John the Baptist Primary School – Yr Alban

St. Nicholas' Primary School - Lloegr

The Blessed Sacrament Catholic Primary School - Lloegr

Clod uchel:

Cydnabyddiaeth arbennig:

Ysgolion i dderbyn tystysgrifau:

Diolch i chi am eich holl waith caled Cyfeillion Gwanwyn,

Athro'r Ardd

The recent Ivor Davies exhibition Silent Explosion at National Museum Cardiff sparked an explosive partnership project. The mMseum’s Learning Department and artist Claire Prosser worked with Albert Primary School in Penarth on an art project inspired by Ivor Davies's work. Ivor Davies grew up in Penarth and went to Albert Primary School as a child, where he witnessed the war and air raids on Cardiff. Some of his early work is based on these experiences.

The year 5 pupils visited the exhibition at the Museum, which reflects some of those childhood experiences, and made sketches and collages. One of the boys had re-drawn Ivor Davies’s drawing of enemy planes being caught in search lights, and added an additional plane. Ivor Davies himself came to visit the school at the end of the day of walks and signed this drawing and many others, much to the delight of the pupils.

On walks around Penarth the pupils discussed conservation, death and decay with Senior Preventive Conservator Christian Baars. It is not easy to conserve art that was created to be ephemeral. The pupils learned how organic objects, and even rock, are not everlasting, and instead part of a big circle of life, death and resurrection in new forms.

The role of any museum, in essence, is to preserve objects by halting that circle at a particular point. Whether this is in line with the artist's intentions, and how museums deal with this conundrum, was part of a "Conservation Conversation" at National Museum Cardiff a few weeks back. Curators, conservators and artists were involved in the discussion then. Bringing this theme closer to year 5 pupils proved entirely possible, as they enjoyed learning about how museums preserve objects while thinking about how it is really difficult to make anything last for centuries.

This interdisciplinary partnership project was also a joy to work on for staff, most of all the preventive conservator, as it brought together so many aspects of art and science.

Find out more about care of collections at Amgueddfa Cymru - National Museum Wales here.