: Llyfrau

My next task is to work through any invoices received in the post and this morning there quite a few. The way I process these has changed recently and whereas it has taken a little time to get used to the new system, it is much more straightforward and done in no time at all.

After lunch, it’s all about the special collections! I begin by photographing books for a new post on the Museum Blog; I have been posting articles for some time now and really enjoy it. This next post I’m working on concerns books with “marginalia” and we have some excellent examples so here is a little sneak peak… 

There is an odd story attached to this little booklet. Some time ago, I received a telephone call from a lady offering to donate a catalogue from an old Cardiff herbalist. It sounded intriguing and something that would fit in perfectly at the library over at our sister museum St Fagans: Museum of National History, so we gratefully accepted the offer. A few days later, the Librarian and I were weeding through a pile of old booklets and we noticed an old Cardiff herbalist catalogue [date written in red ink - 29/11/29] and I remember saying how bizarre it would be if this was the same catalogue as the one that was on its way to us. Yes, you guessed it, it turned out to be exactly the same one! We ended up keeping both copies, placing one at the St Fagans library and keeping one here at National Museum Cardiff.

What exactly went into the herbal remedies is one mystery now most likely beyond solving [many of the ingredients are listed but not all] but it is the naive and whimsical wording of the ailments themselves that are so interesting to us now [Remedies for weak men and nervous women, Poverty of nerve force and That don't care sort of feeling spring to mind] and this naivity is illustrated further with the Disney-like wizard and his bubbling cauldron on the cover.

I have done a little research but, apart from a few scanned newspaper advertisements, have found no other information on Trimnell except for one of his old medicine bottles that sold recently on Ebay for £1.99 [see photograph below].

Glamorgan Archives hold some limited information on Trimnell but no actual documentation.

All photographs [except the Ebay one above] in this post taken by the author.

Ernst Haeckel (1834-1919) was an eminent German zoologist who specialized in invertebrate anatomy. He named thousands of new species, mapped a genealogical tree relating all life forms, and coined many now ubiquitous terms in biology. A popularizer of Charles Darwin, Haeckel embraced evolution not only as a scientific theory, but as a worldview. He outlined a new religion or philosophy called monism, which cast evolution as a cosmic force, a manifestation of the creative energy of nature.

Haeckel’s chief interests lay in evolution and life development processes in general, including the development of nonrandom form, which culminated in the beautifully illustrated Kunstformen der Natur  - Art Forms of Nature, a collection of 100 detailed, multi-colour illustrations (lithographic and autotype) of animals and sea creatures prints. Originally published in sets of ten between 1899 and 1904, and as a complete volume in 1904.

The overriding themes of the Kunstformenplates are symmetry and organization, central aspects of Haeckel's monism. The subjects were selected to embody organization, from the scale patterns of boxfishes to the spirals of ammonites to the perfect symmetries of jellies and microorganisms, while images composing each plate are arranged for maximum visual impact.

Moffet combined real literary aptitude with his interests in natural philosophy, publishing the lengthy poem, The Silkworms and their Flies, in 1599.

Theatre of Insects was published posthumously. In 1590 he had completed a compendious work on the natural history of insects, partly compiled from the unpublished writings of Edward Wotton, Conrad Gesner and Moffet’s friend [and fellow physician] Thomas Penny. After Moffet’s death, this still unpublished manuscript (BL, Sloane MS 4014) came into the hands of his apothecary [Darnell], who sold it to Sir Theodore Mayerne, who published it in 1634 as Insectorum, sive, Minimorum animalium theatrum. It was translated into English by J. Rowland as The Theatre of Insects, or Lesser Living Creatures and appended to Edward Topsell’s History of Four-Footed Beasts and Serpents (1658).

We hold copies of both the 1634 and 1658 editions; the copy photographed here is one of the earlier editions.